Tabitha, Get Up: Lee Upton Contributor Update

Congratulations to Lee Upton on the upcoming release of Tabitha, Get Up. The novel will be available on May 22nd 2024 from Sagging Meniscus Press, and is available now for preorder.

Tabitha is a lonely fifty-year-old biographer who, in order to restore her self-respect and pay her rent, attempts to write two biographies simultaneously: one about an actor so famous his face is on the side of buses, and the other about a popular writer of children’s books recently outed as an author of erotic fiction. Is Tabitha ready to deal with interviewing an actor so handsome and charismatic she thinks he should be bottled and sprayed on belligerent people as a form of crowd control? Can she form a genuine friendship with a cult novelist who pressures her to compromise her values? While facing these and other challenges, Tabitha is bedeviled by memories of her long-ago divorce and the terrible wedding when, accidently bumped on a balcony, she shot off into the shrubbery. Is it true, she wonders, that there’s probably a dead body beneath the floating rot of any marriage? When surrounded by pretentious beautiful people does it help to imagine their intestines are full of worms? Are champagne bubbles the devil’s air pockets? Is it ever too late to change your life—from the bottom up?

Tabitha, Get Up has received significant praise!

“For starters, Lee Upton’s novel Tabitha, Get Up is funny—really, really funny. On top of that, narrator Tabitha’s clumsy, desperate, charming search for human connection—not to mention a paying gig—is also a serious look at whether it’s possible to bluff and hustle a life together. You’re going to love this book.”

David Ebenbach, author of The Guy We Didn’t Invite to the Orgy

Its protagonist, Tabitha, is a glorious piece of work: a biographer with a feverish mind and a long list of antagonists and an indomitable spirit and an unforgettable voice and major money problems. I wouldn’t want anyone to live her life, but I very much want everyone to read her book.

Brock Clarke, author of Who Are You, Calvin Bledsoe? and I, Grape

“There is no form of the novel—the novel takes forms. Lee Upton’s
comely new novel presents as a series of exquisite ‘Notes’—to self,
to random others, to you who finds them. Riding herd, Upton
wrangles a novel that writes itself and rights itself.”

Michael Martone, author of Plain Air: Sketches from Winesburg, Indiana

You can read Lee Upton’s story, “After the Party,” in Issue 17 of s[r].

Lee Upton is an author of books of poetry, fiction, and literary criticism. Another of her novels, a literary mystery, will be out in May 2025. Her books include her seventh collection of poetry, The Day Every Day Is (Saturnalia Books 2023), two short story collections, a novella, four books of literary criticism, and an essay collection. Her poetry has appeared in The New Yorker, Poetry, and Southern Review, as well as three editions of Best American Poetry. She is the recipient of the Pushcart Prize, the National Poetry Series Award, Poetry Society of America awards, the Miami University Novella Prize, the Open Book Award, the Saturnalia Book Prize, and other honors. You can keep up to date with Lee’s goings on on her website.

Kat Meads’ These Particular Women


Congratulations to Kat Meads for her new book These Particular Women, published by Sagging Meniscus Press. In this collection, Meads “investigates ten famous/infamous women and the exceedingly contradictory biographical and autobiographical portraits that survive them,” including Virginia Woolf, Agatha Christie, Sylvia Plath, and Flannery O’Conner.

Kat Meads’s new collection of essays examines several famous (or perhaps infamous) women—the kind of women often labeled shrill, pushy, angry, bitchy. The reader who is not intimidated by a strong woman demanding her right to make her own plans for her own life will enjoy the author’s quiet but often sardonic tone as she retells these women’s stories by strategically quoting and skillfully questioning those who wrote about but clearly did not understand (and sometimes didn’t even like) them. Kat Meads likes these women, and so will other women, who recognize how they have so often been misunderstood.

—Margaret D. Bauer, author of A Study of Scarletts: Scarlett O’Hara and Her Literary Daughters

Kat Meads has written six novels, three essay collections, two short fiction collections, an epistolary memoir, and a hybrid fiction. She’s won a variety of awards, including five Best American Essays Notable citations. To learn more, go to her website.

Built from bits and grains and jots of detail, built impeccably from exhaustive research and in effortless prose, Kat Meads’s portraits of singular, extraordinary women are particulate in the service of telling the story of whole (and wholly unknowable) women. If you love literary pilgrimages, if you yourself are a literary pilgrim, if you love stories (and stories about stories, and stories balanced like excellent hats on the heads of other stories) you will find this exploration of literary women’s lives thrilling and addictive.

—Elizabeth Cooperman, author of Women Pissing

To purchase These Particular Women, go here.

Kat Meads’ essay “Relativism: The Size of Tsar in Vegas” appeared in Issue 2 of Superstition Review.