Today we are pleased to feature author Melissa Olson-Petrie as our Authors Talk series contributor. In this podcast, Melissa discusses the inspiration behind her short story, “To Walk Chalk.”
As Melissa reflects on the story, she says that she’s “surprised by how much family lore has been an inspiration.” To her, she says, “the biggest inspiration was the setting: a Victorian house my great-great-grandfather built in 1898, in a Wisconsin town known for its tobacco farming.” She describes an experience that she had as a twelve-year-old, where she was told that “they embalmed people in the basement,” and how it “gave me a Gothic twist on a seemingly typical Victorian home.”
In addition, Melissa explains the meaning behind the phrase “To walk chalk,” and its relationship to field sobriety tests. She says that the phrase “seemed to resonate with the struggles and the whiskey consumption of the main character.” She describes the police scanner that her grandfather would periodically use to “see what was happening across town,” and how this true-to-life detail “took on new significance” in the story. In the end, she says, “every once in a while” as she writes stories, details like these will “come back, like an unearthed gemstone.”
You can read Melissa’s story, “To Walk Chalk,” in Issue 21 of Superstition Review.
Today we are pleased to feature author Pete Stevens as our Authors Talk series contributor. In the podcast, Pete discusses the process of creating the short story “Smoked Fish,” and how, as he states, “This wasn’t the story I [originally] intended to write.”
Originally, Pete says, “Smoked Fish” was a story about “this couple, told through the perspective of “a guy…who [isn’t] really wanting to or ready to get married.” However, as Pete says, “we know as writers and as readers that some of the best results are the results that are unexpected,” so he instead decided to explore the idea of a father-son dynamic, and the “unique conflicts and challenges that would come from that relationship.”
Eventually, Pete states, “it’s the son who understands that he…can mature and progress past his own father,” which leads to his “appreciating all that his father has done for him.” “Even though his father [has set] this groundwork,” Pete emphasizes, “the son, now, is becoming a man.”
You can read Pete’s story, “Smoked Fish,” in Issue 21 of Superstition Review.
Today we are pleased to feature author Deborah Bogen as our Authors Talk series contributor. The topic of Deborah’s podcast, as she says, is “prose poems: the how and why of writing them.”
She confesses that after writing three books of “mostly lineated poems,” she took a break from poetry, or as she emphasizes “poetry took a break from me.” She describes her struggle to write a poem, saying that she “tried, but could not do it.” After a time spent writing novels, she states that “a strange thing happened: I was filled, and I do mean filled, with the urge to make new poems.” Due to her time writing in a novelistic style, she declares that she “quite naturally… fell into the world of prose poems.” She had previously enjoyed the style, but now, “the joy…was that I had a form, a box into which I could place… what I was noticing in what we call the world.” She closes by urging fellow poets to “have some fun [with prose poems],” and to “write a bunch.”
You can read Deborah’s poem, “This Poem May Be Read In Any Order,” in Issue 21 of Superstition Review.
Today we are pleased to feature author Bryn Gribben as our Authors Talk series contributor. The topic of Bryn’s podcast is “finding your voice.” She begins by saying that “Everything you do before you find your voice matters,” and, to demonstrate this truth, describes her own journey of discovery as a creative writer and poet.
In the beginning of her college experience, Bryn states that she “was more interested in learning than in creating.” However, after discovering that she “just wasn’t having enough fun,” she began to pursue the creation of poetry. She says that “the feedback I was getting at the time made it seem like I had to choose between two paths: the academic and the creative,” but as she continued to find her literary voice, she realized that she didn’t have to make a choice. She just, as she says, “had to find a different audience.” She emphasizes that nowadays, she is still “pulled constantly between those two modes of being,” the analytical and the creative; for, as she says, “both modes of being engage my best self.”
You can read Bryn’s essay, “Divorce Closet,” in Issue 21 of Superstition Review.
Today we are excited to announce that our former art editor, Sean O’Day, was recently interviewed by Voyage Phoenix. In the interview, Sean, who goes by the artist name Zanereti, walks us through his unique story and talks about the challenges artists face today. Read the interview here.
Today we are pleased to feature author John Clayton as our Authors Talk series contributor. In the podcast, John discusses the subjectivity of memory and the dynamic nature of family as seen in his short story, “Memory Loss.” “Memory Loss” describes the journey of a son to understand the truth of his own experience in the midst of family members attempting to “rewrite the narrative” of their own history. Thus the question is, as John states: “Who is truly distorting the past? Whose memory has gotten ‘lost?'”
John notes that we “don’t remember our lives by means of a clear, objective lens,” and that everything in our lives is seen through the prism of our own subjectivity. He states that “observation is filtered by memory, and memory is always distorted.” However, he concludes by saying that, when authors make the choice to share these distorted and sometimes-painful memories, the memories are “given shape, sweetened, and made tender. The author stands apart from them, and the pain is temporarily assuaged.”
You can read John’s story, “Memory Loss,” in Issue 21 of Superstition Review.
Today we are pleased to feature author JR Tappenden as our Authors Talk series contributor. In her Authors Talk, JR discusses the inspiration behind two of her poems, “Regarding Your Wish For Do-Overs,” and “Regarding the Adirondack Trip.” JR says that these pieces are part of a series of poems about grieving, written after the death of her father in April of 2015.
While JR states that she “never set out to do such a cliched thing as being a poet who writes about death,” she notes that her father’s passing left her with many conflicted emotions that she needed to process. She states that the poems began as notes to her sister, with the exception of “Regarding Your Wish For Do-Overs,” which she addresses to herself. By doing so, JR states her desire to “talk herself through” any old exasperation that she had with her father, as well as to reflect her gratitude for not being able to revisit the past, knowing what it would come to mean. Doing so, she says, “would overload me.”
JR Tappenden’s poem, “Regarding Your Wish for Do-Overs,” appears in Issue 21 of Superstition Review.
We are happy to announce that past contributors Melissa Goodrich and Brandon Amico from Issue 21 won Gold Wake Press’s 2018 Spring contest. Gold Wake Press will be publishing Brandon Amico’s book “Disappearing, Inc.” and Melissa Goodrich and Dana Diehl’s book “The Classroom Beneath the Classroom.” Congratulations Brandon and Melissa!
Today we are pleased to feature poet Jessica Mehta as our Authors Talk series contributor. Mehta talks about her poem “Bars and Planets” and how her writing is connected to her childhood and family history. Mehta mentions in her talk “everything I write stems from my perspective and my lens of growing up in an abusive household, in a household full of substance abuse, as a Native American woman, as someone who has seen these very specific traumas,” which provides a “marker” of her work.
Jessica Mehta’s poem appears in Issue 21 of Superstition Review.
Today we are pleased to feature poet Anne Champion as our Authors Talk series contributor. Champion talks about the personal events, thoughts, and external influences that led to the creation of her poems “False Idols” and “I get pneumonia and ignore politics for a month.” She as well expands on the importance of political poetry and “the empathizing process” of reading.
Anne Champion’s poems appear in Issue 21 of Superstition Review.