A photo of Alice Kaltman

Alice Kaltman’s Almost Deadly, Almost Good


Alice Kaltman’s short story collection Almost Deadly, Almost Good will be released this November, published by the Word West Press. Kaltman’s book features fourteen interlinked short stories: the first embody the seven deadly sins, the last the seven heavenly virtues. With rich, reoccurring characters and compelling plots, Kaltman creates a collection that’s impossible to put down.

Kaltman’s opening story “Sunset Lounge (Lust)” follows a woman pining after her daughter’s attractive older boyfriend. In an unexpected but riveting twist, we discover tantalizing details about the boyfriend in “A Fancy Job (Gluttony),” and the ultimate conclusion comes in “Knickers in a Twist (Charity).” Just as the stories are linked, Almost Deadly, Almost Good links good and bad, with a special attention to gender and class.

Story after brilliantly written story, we’re shown our own fears, our own foibles, our own forbidden desires, and tenderest heartaches. These are stories of human beings under pressure, at their most “changeable” moments, and we readers can’t look away. Nor do we want to. With candor, wisdom, and humor, almost deadly, almost good  reminds us to be good to ourselves and to each other for we are all at once, beautiful and aching and ridiculous.

Kathy Fish, Author of Wildlife: Collected Works from 2003-2018

Alice Kaltman is the author of Staggerwing, Dawg Towne, Wavehouse, and The Tantalizing Tale of Grace Minnaugh. To learn more about Kaltman, visit her website.

To preorder Almost Deadly, Almost Good, go here.


We’re also very excited to share an interview that dives deeper into Kaltman’s collection. This interview was conducted via email by our Blog Editor, Brennie Shoup.

Brennie Shoup: Could you discuss your inspirations for Almost Deadly, Almost Good?

Alice Kaltman: The original idea for a linked collection occurred to me after I wrote the first story in the book, Sunset Lounge. It was so clearly a story about LUST that it got me thinking how fun it would be to create a chapbook based on the Seven Deadly Sins. I already had a few stories and characters that fit the bill for other Sins: Greedy Senator Levinson from Into the Woods, poor languorous Cecil from Cecil’s New Friends, envious Greta from Come On Over to My Place. Once I’d finished the other sinful stories, I fiddled with content to link them. Characters appear deeply in the plots of other stories, or sometimes they just pass by. So much fun!

BS: This collection is full of humor. Could you discuss this humor and how you balanced it with more serious themes?

AK: I’ve always felt that pathos is more tolerable if it can be softened with humor. That’s not always the case, and there are writers out there who do gut-punching stuff that I love, that make me weep. Sometimes tragedy needs to stand on its own broken, bloody legs. But in my own writing, I veer towards the humorous. It makes it feel more human and authentic to my vision of people and the crazy misguided things they do. I’ve been a psychotherapist for over 30 years. If you can’t laugh, you’ll sink. Need I say more? 

BS: Despite its title and theme, most of the stories in this collection don’t appear to be explicitly religious. What made you choose the motif of the seven deadly sins and seven heavenly virtues? 

AK: I can’t recall who it was, but I mentioned this project to someone along the way and they said, “Hey, why don’t you do the Heavenly Virtues also?” I had no idea what the Seven Heavenly Virtues were. I’m an agnostic Jew, who veers towards the areligious. And Jews don’t really ‘do’ sins and virtues. But I looked the Virtues up and …goldmine. I fiddled with new content and old content, pulled some sections from my novel Dawg Towne, added some new stories and revisited old ones. It was super fun to change POVs, add links that weren’t there before, change timelines, etc. Plagiarizing one’s own work is one of a writer’s deepest pleasures. Or at least one of mine.

An Interview with Bianca Rivetti Burattini

An Interview with Bianca Rivetti Burattini

São Paulo based artist, Bianca Rivetti Burattini, has been developing her art for several years through a span of different mediums, from traditional to digital art. Originally an Architect, Rivetti has incorporated different facets of color and composition knowledge within her craft.

Through fine art and illustration, Rivetti focuses on creating bold, colorful works that are heavily inspired by Brazilian culture, biodiversity, the female form and an overall feeling of wonder towards the world through a blend of pop art and fantasy.


This interview was conducted by Ashley Gaskin, our Art Editor for Issue 29 via email. We’re so excited to share Bianca’s work and the inspirations behind it! We highly recommend checking out more of Bianca’s beautiful work on her website, Instagram, and TikTok!


Perdida no Mar / Lost at Sea by Bianca Rivettia Burattini

Ashley Gaskin: In your artist statement, you mention that you were originally an architect. Can you describe how architecture has influenced your art?

Bianca Rivetti Burattini: Of course! I started architecture school when I turned 17 and, I think like everyone at that age, I didn’t have a good sense of what I wanted for my life and was very immature when it came to dealing with clients and whatnot. I began working the next year and it helped me better understand the compromises necessary to create a good creative project and how to process and adapt to feedback!

Another thing that I feel architecture gave me is a greater notion of space and distribution, which I apply to my pieces. I believe that in order to break rules of composition, you need to know how to work with them, and architecture school really helped me strategize and develop my ideas in a more organized and based way. Since my “natural” art process is very chaotic and messy I used to lose things along the way, now I have more purpose when creating.

AG: When did you realize that you wanted to pursue art and can you talk about your art journey a little more? Did you always know what kind of art you wanted to create?

BRB: Well, I learned how to draw with my mom who used to draw for me when I was a baby, while we ate. Since I can remember, art is the way that I am able to better express myself and has helped me deal with my anxiety from a very young age. Essentially, I believe art is a tool to better understand myself and express different ideas.

However, I never thought that art could be something to make a living out of, which is why I went on to study architecture. I graduated a week before the first pandemic shut down here in Brazil and had to go to two surgeries that left me unable to move very much for around eight months to a year. So, the world was in shambles and I couldn’t do anything out of bed essentially, and a friend of mine asked why I never posted my art before. I couldn’t think of a decent enough reason other than it stressed me out (haha!) so I started posting and people started asking me if I sold art or did commissions, so I began doing those and researching how art could potentially be a bigger part of my income. I’m still at the beginning of this process but have learned a lot during the last year and a half.

As for the type of art I wanted to create, it changes A LOT depending on my mood or what I’m in the mood for. I love experimenting with different materials and aesthetics and have been this way my entire life. Pop culture and surrealism are things that I’m very drawn to, as well as a more fantastic vibe I believe? So, these references reflect themselves in my art. Another thing I’ve never thought would be so big in my work is the use of color, which began during college. The power of color is incredible to me and is something I had never experimented with before.

AG: Also in your artist statement, you say that your, “Brazilian culture and its biodiversity” has greatly influenced your art, in what ways has your culture come through in your art?

BRB: God, I don’t think I can pinpoint that super specifically. It’s everywhere in my work, either in clearer ways such as our plants and animals or in more abstract lenses using folklore, our cities, poems and music as inspiration!

I also believe that, since I’m Brazilian and currently live here, everything around me is an influence, and our customs and day-to-day life also come through in my work. I hope that made sense. It’s difficult to explain what our culture means to me when I’m so immersed in it all of the time!

AG: I noticed that many of your artworks have a hint of the ocean in them, for example, your work “Lost at Sea” has the subject enwrapped in a scarf of fish. What has influenced these kinds of compositions?

BRB: Yes! I’m so glad you noticed it and it is connected with your last question, actually! I live very close to the ocean and growing up we were always either at the beach for competitive swimming or exploring coral reefs, etc. I even wanted to be a marine biologist for many years from a very young age and always researched the sea. It’s a big part of who I am and a big part of my memories.

Another way the ocean may appear in my work, or art in general, is through the influence of other media. For example, the poem “Ismália” is a Brazilian poem about a woman who became herself through death, once she accepted her madness and threw herself at the sea to be one with the moon. It’s a heavy poem but one that brought me a lot of comfort when I was younger and struggling and it still shows up in my work from time to time.

AG: You said in your artist’s statement that your subject matter is a “mix of pop culture and fantasy”. What led you to create art in these styles?

BRB: Well, like I said, to myself, art is the main way in which I explore my feelings and emotions, and from a very young age cinema and animation were very comforting to me. I think that sense of wonder and exploration that art can bring you is very difficult to replicate and once a work speaks to you, at least for me, you end up searching for all those little details and building a narrative inside your mind. I think it can even be a form of escapism. So I think the thing that led me toward this style is that little kid inside my head, that has a very creative imagination!

AG: What other artists have influenced or inspired you?

BRB: Gosh, so many! The first artist I really connected with was Van Gogh ( I know, cliché haha) because of how his brushwork attracted my attention when I was very young. Another one that has a very similar effect on me is Hieronymus Bosch, I could stare at his interpretation of the deadly sins for days on end and not get tired. I also believe that visual art doesn’t have to be inspired directly by visual art. Fernando Pessoa and Alphonsus Guimaraens are strong sources of inspiration, lots of animation studios (like Cartoon Saloon, Studio Ghibli, Disney, Laika, Ponoc, Filme de Papel, etc), series, cinema, etc! Even my friends who are writers and artists greatly inspire me.