We are proud to present Kiki Petrosino, who will read from her work. After the reading, there will be a short Q&A and a book signing.
Kiki Petrosino is the author of three books of poetry: Witch Wife (2017), Hymn for the Black Terrific (2013) and Fort Red Border (2009), all from Sarabande Books. She holds graduate degrees from the University of Chicago and the University of Iowa Writer’s Workshop. Her poems and essays have appeared in Poetry, Best American Poetry, The Nation, The New York Times, FENCE, Gulf Coast,Jubilat, Tin House and online at Ploughshares. She is founder and co-editor of Transom, an independent online poetry journal. She is an Associate Professor of English at the University of Louisville, where she directs the Creative Writing Program. She also teaches part-time in the brief-residency MFA program at Spalding University. Her awards include a residency at the Hermitage Artist Retreat and research fellowships from the University of Louisville’s Commonwealth Center for the Humanities and Society and the Virginia Foundation for the Humanities.
The UA Prose Series, curated by the faculty of the Creative Writing Program at the UA, presents prose writers of distinction.
The UA Poetry Center is proud to present Nicole Walker. Sheis the author of the forthcoming books Sustainability: A Love Story (2018) and A Survival Guide for Life in the Ruins (2019). She has previously published the books Where the Tiny Things Are (2017), Egg (2017), Micrograms (2016), Quench Your Thirst with Salt (2013), and This Noisy Egg (2010). She is currently editing for Bloomsbury the essay collection Science of Story and edited, with Margot Singer, Bending Genre: Essays on Creative Nonfiction. She is the recipient of a National Endowment for the Arts award and is a notable author in Best American Essays.
The UA Poetry Center is proud to present Daniel Borzutzky as our annual Hannelore Quander-Rattee Works-in-Translation reader. Daniel Borzutzky is a Chilean-American writer and translator living in Chicago. His other poetry books are Lake Michigan, In the Murmurs of the Rotten Carcass Economy, The Book of Interfering Bodies, The Ecstasy of Capitulation, and the chapbook Failure in the Imagination. His books of translation include Song for his Disappeared Love by Raul Zurita and Port Trakl by Jaime Luis Huenun.
The UA Prose Series, curated by faculty of the Creative Writing Program at the UA, presents prose writers of distinction.
The UA Poetry Center is proud to present James Allen Hall.
James Allen Hall’s first book of poems, Now You’re the Enemy, published as a winner in the 2008 University of Arkansas Poetry Series, won awards from the Lambda Literary Foundation, the Texas Institute of Letters, and the Fellowship of Southern Writers. His collection of personal lyric essays, I Liked You Better Before I Knew You So Well, was published in 2017 by Cleveland State University Poetry Center Press after winning their Essay Collection Award, selected by Chris Krauss.
James Hall is the recipient of fellowships from the National Endowment for the Arts, the New York Foundation of the Arts, the Sewanee Writers’ Conference, the Bread Loaf Writers’ Conference, and the University of Arizona Poetry Center. Recent poems have appeared in literary magazines and anthologies such as Best American Poetry 2012, Iowa Review, New England Review, A Public Space, Poem-A-Day, and elsewhere. Recent lyric essays have appeared in Bennington Review, Alaska Quarterly Review, Cutbank, and Copper Nickel, as well as the anthology The Poem’s Country(Pleiades Press). He currently serves as editor in chief for Cherry Tree: A National Literary Journal at Washington College, which has received two Best American Poetry selections. He teaches creative writing and literature at Washington College on Maryland’s Eastern shore.
Location: University of Arizona Poetry Center, 1508 E Helen St, Tucson, AZ 85719
We are proud to present Carl Phillips, who will read from his work. After the reading, there will be a short Q&A and a book signing.
Carl Phillips is the author of fourteen books of poetry, most recently Wild Is the Wind (FSG, 2018), and Reconnaissance (FSG, 2015), winner of the PEN USA Award and the Lambda Literary Award. He is also the author of two books of prose: The Art of Daring: Risk, Restlessness, Imagination (Graywolf, 2014) and Coin of the Realm: Essays on the Life and Art of Poetry (Graywolf, 2004), and he is the translator of Sophocles’ Philoctetes (Oxford, 2004). A four-time finalist for the National Book Award, his honors include the Los Angeles Times Book Prize for Poetry, the Kingsley Tufts Award, the Kenyon Review Award for Literary Achievement, and fellowships from the Guggenheim Foundation, the Library of Congress, and the Academy of American Poets. He teaches at Washington University in St. Louis.
Join Kore Press & Tucson Museum of Art on the evening of Thursday, October 11, 2018 for a free community celebration of the groundbreaking *Letters to the Future* anthology and exhibition. The museum and community gallery will be open to the public from 6:00 – 8:00 PM.
The Tucson launch party features readings by visiting artists Dawn Lundy Martin, Erica Hunt, Ruth Ellen Kocher, and giovanni singleton, book signing, and gallery viewing. 30 Americans and the Letters to the Future exhibitions will be accessible.
The micro exhibition of audio, visual, and textual works from the book is in the museum’s community gallery, and is in dialog with the featured exhibition, “30 Americans,” on view in the main galleries. The launch event is a feature of the UA Humanities Festival that runs the month of October.
Admission to this event is free.
This event is in partnership with Tucson Museum Of Art, The Dunbar Pavilion, Tucson Humanities Festival, Africana Studies, Institute for LGBT Studies, and Social and Behavioral Sciences.
*Letters to the Future: Black Women / Radical Writing*, collects temporal, spatial, formal, and linguistically innovative literature from Black women from the United States, England, Canada, and the Caribbean, celebrating work that challenges readers to participate in meaning-making.
About the speakers:
Dawn Lundy Martin is a poet, essayist, and conceptual video artist. She is the author of four books of poems and three chapbooks, including most recently, Life in a Box is a Pretty Life (Nightboat Books, 2015) and Good Stock Strange Blood (Coffee House Press, 2017). She is currently at work on a memoir. Her nonfiction has appeared in The New Yorker, Harper’s, and other magazines. Martin is also a co-founder of the Black Took Collective, an experimental performance art/poetry group of three, and a member of HOWDOYOUSAYYAMINAFRICAN?,a global arts collective. She has been awarded the 2015 Lambda Literary Award for Lesbian Poetry and a 2016 Investing in Professional Artists Grant from the Pittsburgh Foundation and the Heinz Endowments. Martin is Professor of English at the University of Pittsburgh and Co-director of the Center for African American Poetry and Poetics.
Erica Hunt is a poet, essayist, and author of Local History (Roof Books, 1993) and Arcade (Kelsey St. Press, 1996), Piece Logic (Carolina Wren Press, 2002), Time Slips Right Before Your Eyes (Belladonna*, 2015), & A Day and Its Approximates (Chax Press, 2013). Her poems and non-fiction have appeared in BOMB, Boundary 2, Brooklyn Rail, Conjunctions, The Los Angeles Review of Books, Poetics Journal, Tripwire, Recluse, In the American Tree and Conjunctions. Essays on poetics, feminism, and politics have been collected in Moving Borders: Three Decades of Innovative Writing by Women and The Politics of Poetic Form, The World, and other anthologies. Hunt has received awards from the Foundation for Contemporary Art, the Fund for Poetry, and the Djerassi Foundation and is a past fellow of Duke University/University of Capetown Program in Public Policy. Past writer in residence in the Contemporary Poetics/Creative Writing program at the University of Pennsylvania, and at Bard College’s MFA program, Hunt has taught at Wesleyan University and was a repeat faculty member at Cave Canem Retreat, a workshop for Black writers from 2004 to 2015.
Ruth Ellen Kocher is the author of Third Voice (Tupelo Press, 2016),Ending in Planes (Noemi Press, 2014), Goodbye Lyric: The Gigans and Lovely Gun (Sheep Meadow Press, 2014), domina Un/blued (Tupelo Press, 2013), Dorset Prize winner and the 2014 PEN/Open Book Award, One Girl Babylon (New Issues Press, 2003) Green Rose Prize winner, When the Moon Knows You’re Wandering (New Issues Press, 2002), andDesdemona’s Fire (Lotus Press 1999) Naomi Long Madgett Prize winner. Her poems appear in Angles of Ascent: A Norton Anthology of Contemporary African American Poets, Black Nature, From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great, An Anthology for Creative Writers: The Garden of Forking Paths, IOU: New Writing On Money, New Bones: Contemporary Black Writing in America. She has been awarded fellowships from the Cave Canem Foundation and Yaddo. She is a Contributing Editor at Poets & Writers Magazine and and Professor of English at the University of Colorado where she teaches Poetry, Poetics, and Literature.
giovanni singleton is a native of Richmond, Virginia, a former debutant, and founding editor of nocturnes (re)view of the literary arts, a journal dedicated to experimental work of the African Diaspora and other contested spaces. Her debut poetry collection, Ascension(Counterpath Press), informed by the music and life of Alice Coltrane, received the 81st California Book Award Gold Medal. She has received fellowships from the Squaw Valley Community of Writers Workshop, Napa Valley Writers Conference, and Cave Canem. singleton regularly consults and gives presentations on writing, editing, graphic design, and publishing at high schools, colleges, and conferences. Her work has appeared in What I Say: Innovative Poetry by Black Writers in America, Best American Experimental Writing, Inquiring Mind, Angles of Ascent: A Norton Anthology, and elsewhere, and has also been exhibited in the Smithsonian Institute’s American Jazz Museum, San Francisco’s first Visual Poetry and Performance Festival, and on the building of Yerba Buena Center for the Arts. She has taught poetry at the de Young Museum, CalArts, Naropa University, and Sonoma State University. She was the 2015-16 Visiting Assistant Professor in the creative writing programs at New Mexico State University and currently coordinates the Lunch Poems reading series at UC Berkeley.
Sara Sams is a poet, essayist, and translator from Oak Ridge, Tennessee. She currently works as an instructor for Arizona State University’s College of Interdisciplinary Humanities & Communications, where she provides faculty support for the Superstition Review. She is a graduate of Davidson College (B.A.) and Arizona State University (M.F.A.), and has received teaching fellowships from the Ministry of Education of Spain and the National University of Singapore. – Saraesams.com
Charles Simic is perhaps our most disquieting muse. There are few poets writing in America today who share his lavish appetite for the bizarre, his inexhaustible repertoire of indelible characters and gestures. -The Harvard Review on Charles Simic. Excerpt taken from Poets.org.
Presented with the University of Arizona Poetry Center. Sponsored by the Virginia G. Piper Center for Creative Writing, the Creative Writing Program at Arizona State University, the Literary and Prologue Society of the Southwest, Superstition Review, and the Angela and Leonard Singer Endowment for Performing Arts.
Right image credit: Beowulf Sheehan, from Poets.org
Wednesday, July 13th, at 6 pm to 8 pm, poet Susan Briante will be reading some of her poems from The Market Wonders at Co+Hoots. The Market Wonders, inspired by the Dow Jones Industrial Average, encompasses more than stock fluctuations and financial markets; the poems call upon others topics such as theoretical physics and the function of art. This event is hosted by The University of Arizona Poetry Center and the Walt Whitman Circle. It is free and open to the public.
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