Today we are happy to announce news about past contributor Rosanna Oh. Rosanna’s poetry will be the subject of an upcoming poetry exhibition, titled Erasures, at the Queens Historical Society in New York City on December 2, 2018.
Erasures takes its title from a poem by Rosanna Oh, and it refers to a key theme throughout the work that is featured in this exhibition. The poem, in which a daughter reflects on her father’s and family’s past, considers erasure in the context of immigrant identity and transnational narratives. What does it mean to leave a place in which one’s self is rooted? Who or what gets left behind — and, conversely, carried over to the new country?
The exhibit also includes the work of writers who have greatly influenced Rosanna. Loide Marwanga is the exhibition designer.
Date: December 2, 2018
Time: 2:30 pm ET
Venue: The Queens Historical Society
143-35 37th Avenue
Flushing, NY 11354
Join Kore Press & Tucson Museum of Art on the evening of Thursday, October 11, 2018 for a free community celebration of the groundbreaking *Letters to the Future* anthology and exhibition. The museum and community gallery will be open to the public from 6:00 – 8:00 PM.
The Tucson launch party features readings by visiting artists Dawn Lundy Martin, Erica Hunt, Ruth Ellen Kocher, and giovanni singleton, book signing, and gallery viewing. 30 Americans and the Letters to the Future exhibitions will be accessible.
The micro exhibition of audio, visual, and textual works from the book is in the museum’s community gallery, and is in dialog with the featured exhibition, “30 Americans,” on view in the main galleries. The launch event is a feature of the UA Humanities Festival that runs the month of October.
Admission to this event is free.
This event is in partnership with Tucson Museum Of Art, The Dunbar Pavilion, Tucson Humanities Festival, Africana Studies, Institute for LGBT Studies, and Social and Behavioral Sciences.
*Letters to the Future: Black Women / Radical Writing*, collects temporal, spatial, formal, and linguistically innovative literature from Black women from the United States, England, Canada, and the Caribbean, celebrating work that challenges readers to participate in meaning-making.
About the speakers:
Dawn Lundy Martin is a poet, essayist, and conceptual video artist. She is the author of four books of poems and three chapbooks, including most recently, Life in a Box is a Pretty Life (Nightboat Books, 2015) and Good Stock Strange Blood (Coffee House Press, 2017). She is currently at work on a memoir. Her nonfiction has appeared in The New Yorker, Harper’s, and other magazines. Martin is also a co-founder of the Black Took Collective, an experimental performance art/poetry group of three, and a member of HOWDOYOUSAYYAMINAFRICAN?,a global arts collective. She has been awarded the 2015 Lambda Literary Award for Lesbian Poetry and a 2016 Investing in Professional Artists Grant from the Pittsburgh Foundation and the Heinz Endowments. Martin is Professor of English at the University of Pittsburgh and Co-director of the Center for African American Poetry and Poetics.
Erica Hunt is a poet, essayist, and author of Local History (Roof Books, 1993) and Arcade (Kelsey St. Press, 1996), Piece Logic (Carolina Wren Press, 2002), Time Slips Right Before Your Eyes (Belladonna*, 2015), & A Day and Its Approximates (Chax Press, 2013). Her poems and non-fiction have appeared in BOMB, Boundary 2, Brooklyn Rail, Conjunctions, The Los Angeles Review of Books, Poetics Journal, Tripwire, Recluse, In the American Tree and Conjunctions. Essays on poetics, feminism, and politics have been collected in Moving Borders: Three Decades of Innovative Writing by Women and The Politics of Poetic Form, The World, and other anthologies. Hunt has received awards from the Foundation for Contemporary Art, the Fund for Poetry, and the Djerassi Foundation and is a past fellow of Duke University/University of Capetown Program in Public Policy. Past writer in residence in the Contemporary Poetics/Creative Writing program at the University of Pennsylvania, and at Bard College’s MFA program, Hunt has taught at Wesleyan University and was a repeat faculty member at Cave Canem Retreat, a workshop for Black writers from 2004 to 2015.
Ruth Ellen Kocher is the author of Third Voice (Tupelo Press, 2016),Ending in Planes (Noemi Press, 2014), Goodbye Lyric: The Gigans and Lovely Gun (Sheep Meadow Press, 2014), domina Un/blued (Tupelo Press, 2013), Dorset Prize winner and the 2014 PEN/Open Book Award, One Girl Babylon (New Issues Press, 2003) Green Rose Prize winner, When the Moon Knows You’re Wandering (New Issues Press, 2002), andDesdemona’s Fire (Lotus Press 1999) Naomi Long Madgett Prize winner. Her poems appear in Angles of Ascent: A Norton Anthology of Contemporary African American Poets, Black Nature, From the Fishouse: An Anthology of Poems that Sing, Rhyme, Resound, Syncopate, Alliterate, and Just Plain Sound Great, An Anthology for Creative Writers: The Garden of Forking Paths, IOU: New Writing On Money, New Bones: Contemporary Black Writing in America. She has been awarded fellowships from the Cave Canem Foundation and Yaddo. She is a Contributing Editor at Poets & Writers Magazine and and Professor of English at the University of Colorado where she teaches Poetry, Poetics, and Literature.
giovanni singleton is a native of Richmond, Virginia, a former debutant, and founding editor of nocturnes (re)view of the literary arts, a journal dedicated to experimental work of the African Diaspora and other contested spaces. Her debut poetry collection, Ascension(Counterpath Press), informed by the music and life of Alice Coltrane, received the 81st California Book Award Gold Medal. She has received fellowships from the Squaw Valley Community of Writers Workshop, Napa Valley Writers Conference, and Cave Canem. singleton regularly consults and gives presentations on writing, editing, graphic design, and publishing at high schools, colleges, and conferences. Her work has appeared in What I Say: Innovative Poetry by Black Writers in America, Best American Experimental Writing, Inquiring Mind, Angles of Ascent: A Norton Anthology, and elsewhere, and has also been exhibited in the Smithsonian Institute’s American Jazz Museum, San Francisco’s first Visual Poetry and Performance Festival, and on the building of Yerba Buena Center for the Arts. She has taught poetry at the de Young Museum, CalArts, Naropa University, and Sonoma State University. She was the 2015-16 Visiting Assistant Professor in the creative writing programs at New Mexico State University and currently coordinates the Lunch Poems reading series at UC Berkeley.
Royse Contemporary is excited to announce Touch of Pop, the joint exhibition of artists Nigel Clouse and Benjamin Goens. This exhibition will showcase the latest work of these talented artists, highlighting a dynamic selection of pop surrealistic digital composites and multi layered mixed media stencil paintings infused with Pop Art. “Popular Art was dominant movement in early 1960s American art, widely recognized and is easily accessible with diverse audiences around the world,” states Curator, Nicole Royse. Elaborating further stating “its use of common household objects, consumer products, and forms of media, creates mass appeal not to mention greatly inspired both artists and the overall direction of their work.”
Nigel Clouse is a Phoenix based artist known for his pop surrealistic digital composites incorporating femme fatales, pop culture references, and dystopian themes. He combines graphic elements to form alternate realities where the fabled American Dream exists only in myth. His work is based upon a childhood spent in a section of the American Midwest commonly referred to as the Rust Belt. The rural landscape of his youth is juxtaposed with the urban environments he currently inhabits working for corporate America. “My work is influenced by classic film, literature, television, science, technology, and social commentary, who goes on to elaborate further stating “I create art to share my misanthropic perspective with the world and to provide social commentary on personal experiences.” Clouse received his Bachelors of Art in Digital Design from the Art Academy of Cincinnati and he has worked as a creative for over a decade in the American Southwest.
Benjamin Goens, known as Benjam is a stencil artist based in Gilbert Arizona. He creates mixed media original artwork utilizing hand cut stencils, oil, and aerosol paints on canvas. His process includes up to 20 hand-cut stencil layers in a single image, used to apply vast colors of aerosol paints as well as various other mediums to create photorealistic tonal gradations in his imagery. He received his Bachelors of Fine Arts Degree in Art History and traveled extensively across Europe to study the art of classical antiquity and European masters. “I have always held a fascination for hip-hop culture, graffiti, and the evolution of street art which inspired him to begin cutting his first stencils in 2008.” Goens goes on to say “it wasn’t until 2014 that he began further experimenting with stencils and ultimately production of his own multilayered artwork, learning to cut intricate stencils to create detailed depictions of his subjects.” In 2018, he was a recipient of the inaugural Carmody Foundation Grant Project and recently participated in the inaugural Phoenix Mural Festival. Benjam has shown his work extensively in both solo and group exhibitions in the Phoenix metropolitan area and his work can be found in galleries and private collections around the world.
The opening reception for Touch of Pop will take place this Thursday, June 7, 2018 from 6:00-9:00pm coinciding with the weekly Thursday Scottsdale ArtWalk with an opportunity to meet the artist. Touch of Pop will be on view from Thursday, June 7 through Thursday, June 28, 2018. Royse Contemporary is located in the Marshall Square complex at 7077 E. Main Street, Suite 6, Scottsdale, AZ 85251 (located on the south side of Main Street just west of Marshall Way).
Experience the city nature destroyed but also preserved in “Pompeii: the Exhibition” and explore the rare types of volcanic eruptions in Supervolcanos. Exhibition and Supervolcanoes Planetarium Show are available March 17 and 18, April 5 and 22, May 6, 17, 24 and 25 from 5 pm to 10 pm, the exhibition will be at the Arizona Science Center from November 18. 2017 through May 28, 2018.
Supervolcanoes explores rare types of volcanic eruptions that marshal the energy that lurks, like a sleeping dragon, beneath the surface of planet Earth. The story of these big blowouts is a tale of havoc and mayhem: mass extinctions, climate collapses, and violence beyond anything humans have ever witnessed. In this unique immersive experience, audiences will explore the impact of volcanism on Earth and other worlds in our solar system. Can a supervolcano erupt in our own time? The answer is surprisingly close to home.
From June 10th to September 2nd, the ASU art museum will host Guadalajara-based artist Gabriel Rico’s show, “Dead, Dead, Live, Dead.” On Thursday June 1st, from 4PM to 6PM ASU will host a special preview of the work.
This is Gabrielle Rico’s first museum exhibition in the United States. Rico creates installations using a wide array of objects including taxidermy animals, neon, and found objects.
RSVP at the facebook event page here. And you can check out more of Gabriel Rico’s artwork here.