Today are pleased to announce that Ozark Crows by Carolyn Guinzio is available through publisher Spuyten Duyvil.
If you want a preview while you wait, Carolyn contributed four of her wonderful poems in Issue 18 of Superstition Review. Her contributed poems , including “The Frame,” are incorporated into the recently available Ozark Crows collection. The poetry is intertwined with stark silhouettes of crows and branches purposefully placed. It is is here, through these four poems, that you can see why Buzz Spector says, “throughout Ozark Crows, poetic language swoops, glides, dives and ascends. The crows both speak this language and scatter it in flight.”
Carolyn was also featured in our Authors Talk series for the blog. During the talk Carolyn discusses her fascination with crows and shares her process for creating poetry. The discussion includes how “the dark crows reminded her of letters” which lead to the experimentation that contributes to the aesthetic of the collection. If you have not had the chance to view the talk with Carolyn prior, we highly recommend doing so.
Today we are pleased to share news about past contributor Emilia Phillips. Empty Clip, Phillips’ third poetry collection, will be released by University of Akron Press on April 23, 2018. The collection deals with the cultures of violence in the United States and the effect they have on female body image and mental health. Empty Clip is available for preorder from University of Akron Press here.
Four poems by Emilia Phillips can be read in Issue 6 of Superstition Review.
We are excited to announce that past Superstition Review contributor, Rose Knapp, has a new poetry collection available. Metempoïesis was released at the end of January and can be purchased through Dostoyevsky Wannabe.
Rose was featured in Issue 19. Her three poems are accompanied with sound and can be read, and heard, here. Rose also contributed to the Superstition Review Blog via an Authors Talk. Here she discusses about her poetry, language, and translation.
We are excited to share news that Kevin McLellan’s 2018 forthcoming collection Ornithology (the Word Works) will include seven poems published with Superstition Review. Kevin has made available a list of his other published poems appearing in Ornithology (the Word Works) on his site.
Kevin’s poems were featured in two issues of Superstition Review, issue 14 and issue 17 He also participated in the SR Pod/Vod Series on February 10, 2015 and November 8, 2016 where you can follow along as he reads his poems.
Today we are excited to share news about past contributor JoAnna Novak. JoAnna’s upcoming collection of poetry titled Noirmania will become available February of 2018. Noirmania has already received high praise from Peter Gizzi, author of Archeophonics, who says: “In taut percussive muscular language JoAnna Novak wields a fierce hammer. Here are tuff poems cast in a bright element in the 21st-century telling it like it is. It is sonic, strong, and wicked; and so good.”
You can read “Teeth of Nature” and “Self-Portrait in Efflorescence” by JoAnna in Issue 13 of Superstition Review.
Today we are excited to announce that past contributor Adrianne Kalfopoulou has a forthcoming poetry collection titled A History of Too Much. The book is already available for pre-order from Amazon, but is set to release on April 23, 2018. A History of Too Much addresses an Athens undergoing the first ravages of political and financial crisis in the time of the Greek Euro crisis.
You can read Adrianne’s essay “The Journey Where” in Issue 16 of Superstition Review.
Today we are excited to announce that past contributor Fernando Perez has an upcoming book. Fernando’s dynamic debut collection, A Song of Dismantling, is now available for pre-order from Amazon. The poetry collection explores how migration affects relationships between people of different generations and readers are invited by Fernando on the journey as his family story unfolds over time and distance.
Three poems by Fernando can be read in Issue 14 of Superstition Review.