Additional space will be provided for local authors and other literary organizations and groups to engage with the community. If you’re interested in participating, learn more by visiting our website at http://piper.asu.edu/events/meet-your-community.
More information about activities and programs will be announced soon.
Cardboard House Press, CALA Alliance, and ASU’s School of International Letters and Cultures are hosting Casandra Hernandez and Giancarlo Huapaya in their lecture series. The pair will discuss literature, arts, and publishing in Phoenix during this bilingual event. The event will take place Thursday, October 19, from 1:30pm to 2:40pm at the Piper Writers House on the ASU Tempe Campus (450 E. Tyler Mall, Tempe, AZ 85281).
Casandra Hernandez is the Executive Director of the CALA Alliance, and Giancarlo Huapaya is the editor of Cardboard House Press. For more information, check out the event’s Facebook page.
Alejandro Zambra will be in residency the first week of October – Cardboard House Press, CALA Alliance, and Palabras Bilingual Bookstore is hosting three free events with Zambra throughout the week. These events include a bilingual workshop, a visit to ASU, and a talk at Changing Hands in Phoenix.
The New York Times Book Review named Zambra “the most talked-about writer to come out of Chile since Bolaño.” He has published poetry and five novels: Multiple Choice, Bonsai, The Private Lives of Trees, Ways of Going Home and My Documents. His stories have appeared in many publications, including The New Yorker, TheParis Review, Harper’s, Tin House, and McSweeney’s. He was also named one of Granta’s Best Young Spanish-Language Novelists in 2010. Born in Chile in 1975, Zambra’s fiction often explores how a society is haunted by legacies of the past. He often toys with originality and humor – his new book, Multiple Choice, is even written in the structure of Chile’s Academic Aptitude Test, the standardized college admissions test in Chile until 2003. In it, he explores how education and testing restricted art and ideas during the dictatorship.
The first event is a bilingual workshop titled “How To Forget How to Write Fiction.” The 12 workshop participants will “explore and break conventions of fiction writing based on a text about their first memories.” The workshop will be conducted in both English and Spanish, and it will take place October 3-6. Unfortunately, the deadline to apply for the workshop has already passed. However, if you missed the opportunity to apply, you can still attend the other two events!
The second event is a visit to ASU, in which Zambra will discuss his works and fiction. It will take place on Thursday, October 5 from 12:00pm to 1:15pm on the ASU Tempe campus in COOR 184. For more information, check out the Facebook page.
The third event is a bilingual talk and reading at the Phoenix Changing Hands Bookstore (300 W Camelback Rd, Phoenix, Arizona 85013). It will also take place on Thursday, October 5 from 7:00pm to 9:00pm. For more information, check out the Facebook page.
Poet, professor, and translator Roberto Echavarren, presented by Cardboard House Press and Four Chambers Press, will give a poetry reading and participate in a panel discussion on the politics of translation on Thursday, April 27th, 2017 at 7 p.m. Echavarren, a renowned Uruguayan poet, will present at the Pulliam Auditorium at Burton Barr Central Library (1221 N Central Ave, Phoenix, AZ 85004).
After reading selections from his latest collection, The Espresso Between Sleep and Wakefulness, Echavarren will participate in the panel with poet-translators Anthony Seidman and Wendy Burk, moderated by local poet Laureate Rosemarie Dombrowski.
Echavarren most recent work The Espresso between Sleep and Wakefulness is rooted in both surrealism and contra-constructivist practices. He is a native of Uruguay and a professor of world literature. Echavarren is the co-editor, along with José Kozer and Jacobo Sefamí, of Medusario: muestra de poesía Latinoamericana (Medusario: A Survey of Latin-American Poetry), the leading anthology of poetry in the Neo-Baroque style.
Echavarren’s critical prose addresses the distinctive characteristics of innovative Latin-American poetry. He uses meditations upon androgyny, surrealism and performance, to create a work that bends gender expectations and frees the imagination to pursue the material pleasures of poetry.
This event is presented in affiliation with #WritersResist.
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