Meet the Interview Contributors for Issue 33: Part 1

Our editors are hard at work building Issue 33 of Superstition Review, which will launch May 1. This issue features interviews with eight award-winning authors. Here we are featuring the four authors, whose interviews are being conducted by Madelynn Paz. The authors are: Elwin Cotman, Gina Chung, Zara Chowdhary, and Elizabeth Camarillo Gutierrez. Read more about the authors below.


Elwin Cotman was born in Pittsburgh, Pennsylvania, where the post-industrial landscape greatly influenced his love for myth and adventure. He is the author of three prior collections of speculative short stories: The Jack Daniels Sessions EPHard Times Blues, and Dance on Saturday, which was a finalist of the Philip K. Dick Award. Cotman holds a BA from the University of Pittsburgh and an MFA from Mills College.


Gina Chung is a Korean American writer from New Jersey currently living in Brooklyn, New York. A recipient of the Pushcart Prize, she is a 2021-2022 Center for Fiction/Susan Kamil Emerging Writer Fellow and holds an MFA in fiction from The New School. Her work appears or is forthcoming in The Kenyon ReviewCatapultGulf CoastIndiana ReviewIdaho ReviewThe RumpusPleiadesF(r)iction, and Wigleaf, among others, and has been recognized by several contests, including the American Short(er) Fiction Contest, the Los Angeles Review Literary Awards, and the Ploughshares Emerging Writer’s Contest.


Zara Chowdhary is a writer and lecturer at the University of Wisconsin. She has an MFA in creative writing and environment from Iowa State University and a master’s in writing for performance from the University of Leeds. She has previously written for documentary television, advertising, and film. She lives in Madison, Wisconsin with her partner, child, and two cats.


Elizabeth Camarillo Gutierrez was born and raised in Tucson, Arizona, as a second-generation immigrant. She
graduated from high school at the top of her class and, in 2018, graduated from the University of Pennsylvania with
a degree in philosophy, politics, and economics. She worked as a banking analyst at Wells Fargo and is now a
product manager at a big tech company, where she uses her background and knowledge to empower communities.
She has been featured on NPR’s Latino USA and delivered a viral TED Talk on finding opportunity and stability in
the United States while examining flaws in narratives that simplify and idealize the immigrant experience. She lives
in Brooklyn, New York.

Treehouse Celebrates its First Birthday

TreehouseFor the past year, Treehouse has been dedicated to exhibiting pleasantly unusual and interesting writing that is short enough to read on a coffee break but good enough to linger over.  We feature previously unpublished work from emerging and established writers alike. We accept writing no longer than 1,000 words in fiction, nonfiction, and poetry genres. Simultaneous and multiple (up to three) submissions are accepted. Submissions are read on a rolling basis (unless otherwise noted).

To celebrate our successful first year, Treehouse is proud to present our First Annual Literary Loot Contest for Unusual Prose! In addition to publication in Treehouse, the contest winner will also receive: a one year subscription to Barrelhouse, Booth, Carolina Quarterly, Ecotone, Gigantic, Gulf Coast, [PANK], and REAL: Regarding Arts & Letters; two new Fall titles from brand new (but no less awesome) indie press A Strange Object, two new titles from Dzanc Books and a six-month subscription to their e-book club; a copy of Michael Kimball Writes Your Life Story (on a postcard) and First Year (an MLP Anthology) from Mud Luscious Press; and a t-shirt from A Strange Object and [PANK].

Our favorite non-winning contest entries will also be published in Treehouse.The rules:

  1. We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
  2. Entries are to be a maximum of 750 words.
  3. All entries must be emailed to treehouse.editors@gmail.com by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
  4. Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
  5. Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra-secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
  6. In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
  7. Former Treehouse contributors are invited to submit work.
  8. We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
  9. One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
  10. We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.

Our authors have been featured in Best American Short Stories, The Pushcart Prize AnthologyBest New American VoicesBest American Mystery Stories, and Best American Fantasy. In the past year we’ve published new work from acclaimed young writers like Roxane Gay, Matt Bell, Patrick Somerville, Marie-Helene Bertino, and many others.

We look forward to reading your work! To support Treehouse, you can read the magazine, follow us on Twitter and like us on Facebook!