Stop by The Newton for a storytelling competition.
10 STORYTELLERS. 6 MINUTES. 1 WINNER.
The Storytellers: Each month, 10 storytellers take the stage to share a six-minute story. To put your name in the Electronic Hat, sign up to be a teller on the front page of this website starting the day after the last SLAM. The SLAM lineup is posted the weekend before the show on this website and on the SLAM’s Facebook event page.
The Judges: Audience members are picked at random the night of the show before the SLAM starts to be the judges.
The SLAM: Five judges score the stories on a scale of ten, with the total maximum points available set at 30. The highest and lowest scores from the judges will be dropped. The remaining scores are tallied to compile the storyteller’s final score.
The Winner: The storyteller with the most points at the end of the night wins $30!
Founded in 2011 by Dan Hoen Hull, The Storyline is a series of live storytelling nights that create a space for diverse stories without checking boxes. Several storytelling shows have sprung from their origins within The Storyline Collective including …And Then It Got Weird, Yarnball and The Whole Story. The Storyline Slam continues in that tradition as a monthly slam competition, aimed to further storytelling in The Valley and foster a spirit of fun in the community.
Location: The Newton, 300 W. Camelback Rd., Phoenix
New Letters is a literary magazine that has an annual writing contest. Each year, three writers are chosen to receive $1,500 and publication in the magazine. This year, Deborah Bogen was chosen as the winner in the poetry section.
Deborah Bogen has contributed poetry to Superstition Review twice. To read her poems featured in issue 4, click here. For her work in issue 12, click here.
To learn more about the New Letters writing contest, click here.
For the past year, Treehouse has been dedicated to exhibiting pleasantly unusual and interesting writing that is short enough to read on a coffee break but good enough to linger over. We feature previously unpublished work from emerging and established writers alike. We accept writing no longer than 1,000 words in fiction, nonfiction, and poetry genres. Simultaneous and multiple (up to three) submissions are accepted. Submissions are read on a rolling basis (unless otherwise noted).
To celebrate our successful first year, Treehouse is proud to present our First Annual Literary Loot Contest for Unusual Prose! In addition to publication in Treehouse, the contest winner will also receive: a one year subscription to Barrelhouse, Booth, Carolina Quarterly, Ecotone, Gigantic, Gulf Coast, [PANK], and REAL: Regarding Arts & Letters; two new Fall titles from brand new (but no less awesome) indie press A Strange Object, two new titles from Dzanc Books and a six-month subscription to their e-book club; a copy of Michael Kimball Writes Your Life Story (on a postcard) and First Year (an MLP Anthology) from Mud Luscious Press; and a t-shirt from A Strange Object and [PANK].
Our favorite non-winning contest entries will also be published in Treehouse.The rules:
We’re interested in prose that does unusual stuff. In the past we’ve published stories in the form of to-do lists, invisible text with footnotes, survival guides, landlord-tenant correspondence, recipes, and also all kinds of inventive work that was linguistically, but not necessarily structurally, experimental. So if you think your story, essay, prose poem, or genrebender fits the bill, send it our way. (Sorry, no poetry with line breaks for this one.)
Entries are to be a maximum of 750 words.
All entries must be emailed to firstname.lastname@example.org by April 30. Preferred format is .doc, but .docx and .pdf are also acceptable.
Subject line of contest entries must say: CONTEST ENTRY. Otherwise, they will simply be filed as regular submissions and will have zero chance of receiving cool swag.
Your name MUST NOT APPEAR ANYWHERE ON YOUR PIECE. Since we often get writing from people we kind of know, either via real life or the internet, we want to be extra careful that everything is getting read blind. We’re even going to implement our ultra-secret “assigning numbers to stories and then not telling anybody what the numbers mean” system.
In the interest of fairness, we can’t accept submission from editors at any of the magazines or publishing houses that are participating. UNCW students may submit work, so long as they’re not currently on staff at Ecotone.
Former Treehouse contributors are invited to submit work.
We also can’t accept submissions from anyone who has gotten past second base with any member of the editorial staff. (In this case, “second base” refers to urban second base; rural second base is okay.) However, if you have gotten past second base with a member of the editorial staff: why don’t you call us already? It’s been more than three days.
One of the main things we’re trying to communicate with this contest is that literature is a community. We picked out the journals and publishing houses we’re most excited about because we wanted to share them with you—our favorite readers. (And pretty much everybody we asked to participate eagerly agreed.) As such, we’ll be featuring a different participating magazine or indie house every week. Please check out their sites and consider subscribing or buying books—not because they’re helping our contest, but because they’re sustaining a thriving literary community that you’re not going to get from mainstream publishing. And because they publish cool shit!
We really believe in doing as much as we can without getting money involved. So even if you can’t afford to subscribe to any of our partners’ publications, consider spreading the word—about the contest and/or about any of the publishers you see that tickle your fancy—via facebook, twitter, or other social media. Or, you know, your mouth.
Our authors have been featured in Best American Short Stories, The Pushcart Prize Anthology, Best New American Voices, Best American Mystery Stories,and Best American Fantasy. In the past year we’ve published new work from acclaimed young writers like Roxane Gay, Matt Bell, Patrick Somerville, Marie-Helene Bertino, and many others.
We look forward to reading your work! To support Treehouse, you can read the magazine, follow us on Twitter and like us on Facebook!
1st Prize: $1,000 and publication
2nd Prize: $250 and publication
All entries will be considered for publication.
All entries receive a one-year (two issues) subscription to Booth, including the Prize issue.
Winner will be announced on August 15, 2013.
Entry fee is $20.
Stories must range from a minimum of 500 words to a maximum of 7,500.
Enter your submission for the 2013 Booth Story Prize.
Roxane Gay’s stories have appeared in Best American Short Stories 2012, American Short Fiction, Virginia Quarterly Review, Oxford American, NOON, Ninth Letter, Mid-American Review, Best Sex Writing 2012, and elsewhere. Her writing has also appeared or is forthcoming in The Wall Street Journal, Salon, Prairie Schooner, and the New York Times. Grove/Atlantic will release in 2014 her novel, An Untamed State, and Harper Perennial will release her essay collection, Bad Feminist. Gay is the co-editor of PANK and the essays editor for The Rumpus.
Our Story Contest is compliant with the CLMP Contest Code of Ethics (see below). All rights revert to the author upon publication. Students and former students of Butler University and of this year’s judge may not enter. Butler University employees are ineligible as are close friends of the judge. Simultaneous submissions are fine, but you must withdraw your work from consideration if it becomes committed elsewhere. Further details on the reading and judging process are available upon request. Gay lives and teaches in the Midwest.
CLMP Contest Code of Ethics
“CLMP’s community of independent literary publishers believes that ethical contests serve our shared goal: to connect writers and readers by publishing exceptional writing. We believe that intent to act ethically, clarity of guidelines, and transparency of process form the foundation of an ethical contest. To that end, we agree to 1) conduct our contests as ethically as possible and to address any unethical behavior on the part of our readers, judges, or editors; 2) to provide clear and specific contest guidelines — defining conflict of interest for all parties involved; and 3) to make the mechanics of our selection process available to the public. This Code recognizes that different contest models produce different results, but that each model can be run ethically. We have adopted this Code to reinforce our integrity and dedication as a publishing community and to ensure that our contests contribute to a vibrant literary heritage.”
The three Paris Literary Prize awards are The Paris Literary Prize Award of 10,000 Euros and two runner-up awards at 2,000 Euros each. All three winners will be invited to a weekend stay in Paris to attend the Prize ceremony and read from their work at a special event at Shakespeare and Company.
Last year, the winner of the Paris Literary Prize was Rosa Rankin-Gee for The Last Kings of Sark; the two runners-up were Adam Biles for Grey Cats, and Agustin Maesfor Newborn.
A prize of $1,000 and publication in Literal Latté is given annually for a poem. Submit up to six poems of no more than 2,000 words each with a $10 entry fee ($15 for up to 10 poems) by July 15. E-mail or visit their website for complete guidelines.
Literal Latté, Poetry Award, 200 East 10th Street, Suite 240, New York, NY 10003. (212) 260-5532. Jenine Gordon Bockman, Editor
A prize of $30,000 and a one-semester appointment as writer-in-residence at Bard College is given annually to a U.S. fiction writer under the age of 40. The recipient must give at least one public lecture and meet informally with students but is not expected to teach traditional courses. Submit three copies of a published book of fiction, a cover letter, and a curriculum vitae by July 15. There is no entry fee. Send an SASE, call, e-mail, or visit the website for complete guidelines.
The winner will receive a publication contract with Southern Illinois University Press, and will be awarded a $2000 prize. The winner will also receive $1500 as an honorarium for a reading at Southern Illinois University at Carbondale.
A first book of poems will be selected for publication from an open competition of manuscripts, in English, by a U.S. citizen or permanent resident who has neither published, nor committed to publish, a volume of poetry 48 pages or more in length in an edition of over 500 copies* (individual poems may have been previously published; for the purposes of the Crab Orchard Series in Poetry, a manuscript which was in whole or in part submitted as a thesis or dissertation as a requirement for the completion of a degree is considered unpublished and is eligible). Current or former students, colleagues, and close friends of the final judge, and current and former students and employees of Southern Illinois University and authors published by Southern Illinois University Press are not eligible. For questions about judging, please visit http://CrabOrchardReview.siu.edu/conpo3.html.)
Three prizes of $10,000 each are awarded annually to honor a book of poetry, a book of fiction, and a book of creative nonfiction written by U.S. writers and published in the United States during the eligibility year. Four finalists in each category receive $1,000 each. Publishers may submit an entry form by June 15. Books, bound galleys, or bound manuscripts published or scheduled for publication between December 1, 2011, and November 30, 2012, should be submitted to the judges and to the National Book Foundation by August 1. The entry fee is $125 per title. Call or e-mail for the required entry form and complete guidelines.
National Book Foundation, National Book Awards, 90 Broad Street, Suite 604, New York, NY 10004. (212) 685-0261.