Today we are pleased to feature author Alaina Symanovich as our Authors Talk series contributor. Alaina reflects on a question posed to her by one of her students: how can one’s writing be gloomy and melancholy while they’re usually the happiest person in a room?
By considering this question—along with “Out of the Box” and another essay, “Holy Ground,” published in storySouth— she muses on the importance of creative nonfiction. Alaina explains that creative nonfiction can be an entry point into somebody’s feelings and by extension, an opportunity to feel less alone. So while this talk is “rambling about [Alaina’s] high school students and their forlorn love lives” in a way, it is also a candid, funny, and thought-provoking look at the work that creative nonfiction does.
You can read and listen to “Out of the Box” by Alaina Symanovich in Superstition Review, Issue 19.
In 2008, in Issue 2, Superstition Review published Kat Meads’ essay “Relativism: The Size of the Tsar in Vegas.” We were honored for her contribution, and we are now very happy to share the news of her recently released novel.
When anyone asks if Southern Literature has a future in our internet, iPhone, jet-lagged, speed-of-light world, I point them to Kat Meads. Her fiction is Southern through and through even as it embraces the dilemmas and contradictions of 21st century life. Simply put, you must read Kat Meads.
—Jason Sanford, Founding Editor, storySouth
Kat Meads’ writing is keen and precise; her stories, populous and lively. In when the dust finally settles, she employs a staccato, rhythmic prose in the service of a narrative both beautifully imagined and wildly exotic. when the dust finally settles will keep you up nights reading its propulsive story, but will also reward the reader who loves finely crafted sentences and pitch-perfect dialogue.
—Corey Mesler, author of Following Richard Brautigan
In The Invented Life of Kitty Duncan, Kat Meads created a 1950’s-era Scarlett O’Hara in eastern North Carolina. Now, in when the dust finally settles, she speaks through Faulknerian voices as white and black members of her small eastern North Carolina community desegregate the schools in the 1960’s. Meads’ Clarence Carter, speaking from the dead, provides a surprisingly upbeat (and humorous) perspective on the events unfolding in the community he has not yet quite left. The other voices, young and old, share Clarence’s openness to change—a refreshingly different Southern story.
—Dr. Margaret D. Bauer, Rives Chair of Southern Literature, East Carolina University;
Editor, North Carolina Literary Review
The Reading Period at Superstition Review has opened. Please send us your submissions of art, poetry, fiction, and nonfiction between now and October 31st.