music

Meet the Interns: Frederick Raehl

Superstition Review

Fiction Editor Frederick “Brandon” Raehl is a senior at ASU completing concurrent degrees in Psychology and Literature, Writing, and Film. As well as working in healthcare as a CT Technologist, he plays music, writes screenplays, and develops black and white photographs. After completing his honors thesis in psychology titled, The Effect of Workload on Academic Performance, his time is now devoted towards writing. Though his current ambitions outside of college are unclear, he intends on using writing in any endeavor he decides to pursue. His favorite all-time book is The Martian Chronicles by Ray Bradbury.

1. What is your position with Superstition Review and what are your responsibilities?

I am one of the Fiction Editors for Superstition Review. My responsibilities include reviewing work from fiction writers for our upcoming issue. Some of my duties include preparing response emails, reading and voting on what to publish,  and completing weekly tasks and reports. I need to check Blackboard frequently and keep the instructor informed of my progress.

2. Why did you decide to get involved with Superstition Review?

One of my goals of being an undergraduate student is to obtain a diverse and challenging education. Being a part of the Superstition Review allows me to pursue this goal. I love writing, and I’m curious about what goes into the process of  publishing. I enjoy new experiences and new challenges.

3. How do you like to spend your free time?

With the little free time that I have, I enjoy pleasure reading, playing guitar and drums, going to movies, journaling, and playing with my dogs. Most of my time goes towards school and work. I first went to x-ray school, which I do for a living, then decided to go  back to obtain my undergraduate.

4. What other position(s) for Superstition Review would you like to try out?

I think interview and content editing would be interesting, as well as web design.

5. Describe one of your favorite literary work

I would have to say that Ray Bradbury’s The Martian Chronicles is still my favorite  book. I first read it in 7th grade and came back to it when I first started college. It feels like every time I read it I discover something else that I love about it. I’ve read many books in my life, but none have ever replaced my long time favorite.

6. What are you currently reading?

I am currently reading Drinking: A Love Story by Caroline Knapp. No, I’m not an alcoholic, but I really enjoy reading about personal triumphs over adversity. It’s a great read, if anyone is looking for something to pick up.

7. Creatively, what are you currently working on?

I’m beginning to write a screenplay for my capstone course. I’m always writing new music and journaling as well.

8. What inspires you?

I’m inspired by authenticity. When I see something that I know is real and not just something crafted to make money, I’m inspired. I believe that one should be brave enough to create something that comes from within, regardless of what the world will feel about it. When people do what they know is right in their heart instead of what may be right in society’s eyes, I am inspired. Finally, and the most simple, I’m inspired by decency. I love it when I see people working together and treating each other in a civil manner.

9. What are you most proud of?

I’m most proud of obtaining a college education with honors. It may seem miniscule to some, but going to college has challenged and changed me in many ways. I believe that if I hadn’t decided to go to ASU after x-ray school, my life would not be as hopeful as it is now. Many people think I’m crazy to go back to school when I already have a decent-paying job. The pay is not the problem. I feel like I’m meant to do something  more with my life than what I’m doing now. I don’t know exactly what that is right now, but going to college has allowed me to investigate this. And I know that my decision to obtain a college degree will help me live a happier life.

10. Where do you see yourself in 10 years?

I see my life moving forward. I will not be in the career I’m in now. I know this for certain. What I don’t know is what I will be doing. I know that I want a life that allows me to be creative while also benefiting society. I have several ideas that I will investigate. Being successful is important, but more so I would like to find myself in a career that is in tune with my values and I feel passionately about. Who knows where I’ll end up, but I will never stop looking.

Just Write

Britney

Britney Gulbrandsen is an Interview Editor at Superstition Review. When not interviewing authors she spends her time reading, writing, crafting and spending time with her family.

I’ve recently been asked the question, “How do you write?” The question has been posed several different ways, the language varied depending upon the person asking, but the message remains the same: what is my process for writing?

Well, my first reaction to this question was, “I just put my pen to paper—or fingers to keyboard, depending upon my mood—and write.” But I wasn’t going to get out of the question that easily. So I examined my process more closely to think of what my method actually was.

Here is what I came up with:

  1. Sit down with a blank page looming in front of me.
  2. Turn on some light music (my writing playlist on iTunes).
  3. Stare into oblivion.
  4. Check my email.
  5. Update my Facebook status.
  6. Turn to my list of ideas or my list of things that inspire me.
  7. Check my email again.
  8. Finally begin to write.

Now I know that sounds like a joke, but ninety percent of the time, that is actually what I do when I sit down to write. But the real depth of my process comes from the tips I’ve gained and learned from experience.

My Tips:

  1. Read as much as I possibly can. I’m a firm believer that the more you read, the better you will write.
  2. Read the genres that I want to write, as well as many others. I read everything: novels, short stories, poetry, essays, memoirs, magazines, newspapers, articles, blogs, etc.
  3. Keep pieces that inspire me near my writing desk. When I’m feeling a lack of creativity, I turn to one of them.
  4. When an idea comes to me, I write it down immediately. I’ve learned through experience that I won’t stop and write things down in a notebook I carry with me. It just won’t happen. But I do have an app on my phone that allows me to write notes to myself as well as to make checklists. So when I think of something intriguing that might work itself into a story, I quickly type it into my phone. Then I transfer it to paper later on when I have more time.
  5. Develop my characters. This is crucial. Characters will transform the story. When writing a longer work, such as a novel, I get to know my main character(s) before I begin to write. I go through every detail until I feel that, in a way, I have become my character. This means that I work through the character’s hobbies, fears, dreams, motivation, favorites (movie, book, food, song, store, activity, etc.) most tender memory, what he/she would grab in a fire, every aspect of what that character looks like, each personality trait, and much more. I want to get to know my characters from the inside out. Generally, most of this information won’t make it into the actual story itself, but it will help me understand my character so I will know what he/she would do or say in a certain situation.
  6. If I need to stop writing before I finish the story, I go back and reread the past few sentences or so before I sit down to write the next time. This helps get me back in the mindset of my story and characters.
  7. I write down everything that comes to my mind. Lots of things won’t make it into my final draft, but none of that matters now. Something raw—even a list of sorts—can help lead me to some revelation later on. The first write-through is for ideas. It’s all about getting the story out.
  8. Let go of whatever ending I have in mind if it just doesn’t work. I once had this “grand” idea for a short story that I had created from beginning to end in my mind. When I finished actually writing it, I realized the ending didn’t work. My character would never do what he did in my story. So I erased that portion and let my character guide me based on what he would actually do. The ending is so much crisper and realistic now.
  9. Revise, revise, revise and then be done with it. I’ve learned that I can always make changes to my work. In my mind, it will never be good enough to get published. I may think it’s ready, but if I put it away for a week, take it out, read it again, I will inevitably find something to change. But at some point, enough is enough. It’s time to try to get it published.

I’m learning more and more every day. Each time I sit down to write, I learn something new. But the biggest thing I’ve learned is to just write.

 

Meet the Interns: April Stolarz

Superstition Review
Poetry Editor April Stolarz is a senior at ASU pursuing concurrent degrees in Print/Online Journalism and Creative Writing with a focus on Poetry. Along with her Superstition Review internship April also writes for ASU’s Media Relations Office and freelances for a variety of publications. She has studied poetry under Norman Dubie and Terry Hummer and is currently studying under Sally Ball. She maintains a blog about local music, Dose of Rock, and hopes to work for a music publication someday. This is April’s first experience with Superstition Review.

 

1. What is your position with Superstition Review and what are your responsibilities?

I am one of the poetry editors for Superstition Review’s Spring 2011 issue. I am responsible for reviewing poetry submissions and voting for certain poems to be published. Once those poems are given the go ahead I contact the authors and send them final proofs to be featured in the magazine.

2. Why did you decide to get involved with Superstition Review?

I’ve always loved words and any form of expression, especially written expression. In high school I was the editor of my literary magazine and absolutely loved being a part of that process. I wanted to expand my knowledge and be a part of the next step in order to gain more professional experience.

3. How do you like to spend your free time?

My life is a balancing act of 18 credits and multiple jobs. Most of my free time is swallowed up by writing; I freelance for various publications. My absolute favorite thing to do is see live music. I try to spend as much time as possible at concerts and music festivals. Other than that I love reading, being outside and doing anything outdoorsy.

4. What other position(s) for Superstition Review would you like to try out?

I’d like to be the non fiction editor, interview editor and web design editor. I think they’d all be a great learning experience and equally as interesting and fun.

5. Describe one of your favorite literary works.

A simple story about a girl with extremely large thumbs that manages to encompass wide-ranging and heart-aching themes such as religion, sexuality, marriage, freedom, traveling, magic and everything in between. This book, Even Cowgirls Get the Blues by Tom Robbins, is a journey through the human experience with rainbow colored sprinkles, whipped cream, hot fudge and a cherry on top. Tom Robbins is the master of metaphor, and he’s not afraid to show it.

6. What are you currently reading?

Every chance I get (which isn’t as often as I’d like) I reach for one of the books on my shelf. I’m currently thumbing through and trying to digest: Skinny Legs And All by Tom Robbins, Letters to a Young Poet by Rainer Maria Rilke, Book of Longing by Leonard Cohen and Transformations of Myth Through Time by Joseph Campbell.

7. Creatively, what are you currently working on?

As a poetry senior in the capstone writing class I’m working on a new poem every week and a new revision as much as possible. For one of my jobs I’m writing a feature story about a professor for ASU’s website. I blog about local music a few times a month and am working on updating my personal website.

8. What inspires you?

Inspiration is everywhere and nowhere at the same time. Discovering new things, reading a certain word, being outside, spontaneity, vibrancy, color, conversation, cities, people who aren’t afraid to say what they think and do what they want, trees, the sky, free spirits, people who take the different path, who aren’t afraid to travel and explore.

9. What are you most proud of?

This is a weird question for me. While I’ve always prided myself on doing very well in school while simultaneously being involved in other things, what’s given me the most internal pride and satisfaction has been helping my friends realize their dreams.

10. Where do you see yourself in 10 years?

I don’t think about the future; it comes soon enough. But I hope I’m living in a beautiful place, maybe an island somewhere, maybe another continent, surrounded by a strong community of friends, music and love. By then I hope I’ll be working in some form of music business whether it be for a music magazine such as Spin or for some other music company. I hope my life is filled with laughter.

Meet The Interns: Brandy Winchester

Superstition Review

Brandy Winchester is a senior at Arizona State University. She plans on graduating in May of 2012 with a Bachelor of Arts in English Literature as well as a Bachelor of Arts in Anthropology with a focus on culture. After her graduation she would like to attend a law school in Arizona. Her long term career goals consist of graduating from law school to then go on to practicing in family law; specializing in divorce cases. This is her second semester interning for Superstition Review.

1. What is your position with Superstition Review and what are your responsibilities?

This semester my position is Art Editor which consists of finding and reviewing artists for our upcoming issue 7. After the review process I will be responsible for viewing and rating the art submissions and staying in contact with the artists.

2. Why did you decide to get involved with Superstition Review?

I decided to get involved with Superstition Review last semester as a way of exposing myself to the art of publication. After last semester I grew very fond of the program and decided to return for another issue.

3. How do you like to spend your free time?

I enjoy spending my free time outside as much as possible. I like to hike and experience new places. I’m a dreamer and can easily spend an entire “free” day planning new trips and adventures to conquer.

4. What other position(s) for Superstition Review would you like to try out?

If I were to intern with Superstition Review for a third semester I would like to try out the submissions coordinator position because I think it would be a challenge and in the end I would walk away with a lot of good experience.

5. Describe one of your favorite literary works.

My favorite literary work is Invisible Man by Ralph Ellison. This piece is my favorite because it is a touching story that takes the reader through a trip “to the other side.” The issues presented in the book are raw but also life altering. It is a book for every reader.

6. What are you currently reading?

I am currently reading Mama Might Be Better Off Dead By Laurie Kaye. This novel addresses the health care issues that the United States has by putting it into perspective through an African-American family.

7. Creatively, what are you currently working on?

I am currently working on learning how to play the guitar. I had formal guitar lessons as a child but I never followed through with it. A few days ago I went and purchased a cheap guitar with the intent to pick it back up and this time actually follow through with it.

8. What inspires you?

People inspire me. I have always been a people watcher. I enjoy sitting and observing others. This is what inspires me to write because I strive to capture my visions.

9. What are you most proud of?

I am most proud of myself. I shock myself on a regular basis with the new things I try and that I accomplish. I try to never stop dreaming, and with that I plan to never stop doing.

10. Where do you see yourself in 10 years?

In 10 years I see myself with a B.A. in English Literature, a B.A. in Anthropology, and a J.D. in law. I will be practicing family law, specializing in divorce cases. And I hope that I am still living life to the fullest every day!

Where Are They Now?: Haley Larson

Superstition Review

Haley Larson, Poetry Editor for Issue 3, received her Bachelors Degree in Psychology and with a minor in Music from the University of Nebraska. I took some time to catch up with her about her experience and how Superstition Review has helped shaped her future.

 

Superstition Review: Which issue did you work on with Superstition Review and what was your position?

Haley Larson: I worked on Issue 3 of Superstition Review. I was one of two poetry editors that year, and it was quite an opportunity. I had the chance to correspond with some esteemed poets, many of whom I’d admired for some time.

SR: What skills did you take away from the experience?

HL: I owe a lot of my confidence and tenacity to the Superstition Review internship. A huge part of the internship is learning to not only embody but also balance professionalism and confidence. I think such professionalism encompasses a whole mess of other skills: organization, prioritizing, meeting deadlines, even–can I say–eloquence in emails. The confidence translates into so many other outlets, whether this includes applying for graduate programs or submitting one’s own work to a literary journal. Trish was kind enough to grant me a wonderful opportunity to flex these skills at AWP’s most recent conference. I had the chance to be a part of a presenting panel with her and representatives from two other undergraduate literary magazines. She was (is!) a fantastic, generous mentor. The experience continues.

SR: Creatively, what are you currently working on?

HL: I am working on a few different projects, most obsessively, a couple of different series of poetry. I’m trying to explore/exploit some of my background in music and psychology through this, allowing music, sound/silence, communication, and disorder to talk and tangle in my work.

SR: What are some of your career highlights after leaving SR?

HL: I am currently pursuing my MFA degree in poetry at Colorado State University. I’ve had opportunities to teach at CSU, intern with the Colorado Review, and co-curate a student reading series. A few journals have been kind enough to publish a poem or two, even a couple of my reviews. A few colleagues and I are working to start a non-profit organization, The Strophe Project, aimed at forming and facilitating writing communities in underserved populations of Fort Collins. You can learn more at www.thestropheproject.wordpress.com.

Meet The Interns: Jason Wright

Superstition Review

Jason Wright is an ASU senior majoring in Creative Writing with a focus on Poetry, and an Arizona native. He has studied under such poets as Sally Ball and Norman Dubie, and is currently examining the effects of poetic form under the guidance of Terry Hummer. Having grown up around computers, he is also very tech and internet savvy, and currently boasts a day-job doing web design and development for a small business in Glendale, AZ.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Jason Wright: I am a Poetry Editor and I am responsible for working with my co-editor to solicit poets for publication with the magazine this issue, in addition to researching their work and negotiating with said poets. I will also be responsible for voting for my favorite works to be published within the magazine.

SR: Why did you decide to get involved with Superstition Review?

JW: I decided to get involved with the magazine because I wanted to have a taste of editorship within a magazine–both for experience, and to see if it is something I may be interested in.

SR: Besides interning for Superstition Review, how do you spend your time?

JW: Besides interning for SR, I spend my time teaching myself various web development techniques, studying poetry, writing poetry, writing music, playing guitar, and working for a small business.

SR: What other position(s) for Superstition Review would you like to try out?

JW: I would be willing to try out the photoshop editor and the web design position in upcoming issues.

SR: Describe one of your favorite literary works.

JW: One of my favorite literary works is The Illiad, because I think Homer does a fantastic job weaving the depiction of battle into his epic poetry.

SR: What are you currently reading?

JW: I am currently reading Anthony Burgess’ A Clockwork Orange and Charlaine Harris’ Definitely Dead.

SR: Creatively, what are you currently working on?

JW: Creatively, I’m working on building, from scratch, a linux-based media storage server for my apartment, and am also working on building a story for a contemporary-styled epic poem about Greece’s birth.

SR: Where do you see yourself in 10 years?

JW: In 10 years, I will hopefully have written a few books of poetry, will have a steady job involving web development, will have learned Java and will be able to write applications for Android phones, and will have written, produced and released at least one album of music. Or, at the very least, two of these things.

Meet the Interns: Mike Tomzik, Web Designer

Superstition Review

Mike Tomzik is a Creative Writing major.

Superstition Review: What is your position with Superstition Review and what are your responsibilities?

Mike Tomzik: I am a Web Designer for Superstition Review. Being that the Review is an online literary publication, I design and form an orderly layout of the professional work featured within the magazine.

SR: How did you hear about Superstition Review and what made you decide to get involved?

MT: I tend to sporadically search for online publications and journals that could possibly feature my work, and as I was going through the Arizona State website I came across Superstition Review. The name was familiar to me and the internship appealed to my interests. I’ve been looking to get involved with a literary publication for some time and the dynamics of the Review seemed like something that would be conducive to my progression as not only a writer and editor, but as a person interested in working in the writing world.

SR: What are you hoping to take away from your Superstition Review experience?

MT: I want to get an inside look at how a magazine operates, and I would like to learn the techniques that will allow me to successfully publish and edit professional work in the future.

SR: Describe one of your favorite literary or artistic works.

MT: In terms of literary fiction, my favorite writer is John Steinbeck. My favorite book by him is East of Eden, which–logically–is my favorite book. I tend to like novels that have a sense of the epic, and East of Eden is an epic look at multiple generations of a family. The themes involving good and evil are themes that I recognize as being an integral part of Steinbeck’s writing and are important factors in my own writing. I think that life is composed of literary characters and Steinbeck really captured wholesome, human people in this novel.

One of my favorite American poems is Walt Whitman’s Song of Myself. I love the unconventional vision created from his mind and spirit, and I believe that much of what he wrote in his lifetime masterpiece is considered unconventional because it is the naked truth. People are afraid of bare absolutes and Whitman does a good job at exposing these spiritual necessities.

SR: What are you currently reading?

MT: I am currently reading A Clockwork Orange by Anthony Burgess.

SR: What other position(s) for Superstition Review would you like to try out?

MT: I would definitely like to try out editing. In regards to my own personal writing, editing is the hardest part for me. I enjoy the initial composition of a piece but it is very difficult for me to rearrange what I have so carefully composed. I need work on it, and I think that both poetry and fiction editing would strengthen not only my editing abilities but sharpen my writing and reading skills as well.

SR: Do you prefer reading literary magazines online or in print?

MT: I prefer to read everything in print. Reading on the computer is a very different experience. After a while my eyes become out of focus and my world dizzies to the point of paranoia. Books were written for the tangible page. The physical book is an essential part of the art of writing. The cover, the pages, the font, the pictures, the smell, the texture; all these factors give the actual book character and meaning. To open a book is to enter a world, and that book in your hand is the vehicle that transports you there. To see the author’s words on the page is to feel his or her mind thinking. Reading words on the computer is not only a modern practice that exempts the art of book-binding and selling, but is very capable of driving me mad. For me, minimal technology in art is the best. The mind is all we need.

SR: Do you write or create art? What are you currently working on?

MT: I like to think that I write like a feverish young Hemingway with a dedication to the art similar to that of Norman Mailer. I tell people that I have lived before as the great Leo Tolstoy due to our similar vision of human nature and writing style, but in reality I write minimally and sporadically. I am pleased with what I write and have written a few good works catalogued in my own personal repertoire. I am satisfied with one of my short stories, an epic poem I wrote for class, and a short screenplay that I have written. My desk is filled with pages of philosophical ramble, short beginnings to works I once deemed masterpieces, song lyrics, movie ideas, dialogues, and clips of my mind that I was lucky enough to find a pen to record. I figure that I should record as much of my mind as I can while I still have it. I love writing love poetry.

Besides writing, I am a musician. I’ve been blessed with the soul of music and it is up to me what I will do with it and how far I will evolve it. Right now, in the twenty second year of my existence, I figure that it would be foolish not to use the strings that I have been given, and I see music as the medium that most effectively expresses my love and happiness. I’ve noticed that life functions off the former to produce the latter, so this avenue seems to be my true path to enlightenment.

But that is a bold claim that I as a human shouldn’t have the authority to utter, though I still do. This is not to say my writing is not important or that it will not be involved in my professional life. Music is writing and writing is music. Hell, outside is inside and the sky is part of the grass. Everything is everything and it all connects and truthfully, in my moments of true artistic desire and longing to express that which I carry within, I want to completely represent myself by any and all means possible, whether it is with a pen, a guitar, a brush, or a smile.

SR: Besides interning for Superstition Review, how do you spend your time?

MT: I honestly spend my time quite prodigally and extravagantly. I’m sporadic and random. I start many things and finish about half of them. I’m interested in nearly everything. I want to grow exponentially but my tendency to dawdle is detrimental. I read and write and sing and dance and drink and eat and talk and listen and laugh and smoke mostly.

SR: What is your favorite mode of relaxation?

MT: I like to meditate. I climb atop my roof and look out over the dusk. I enjoy swimming and golfing and riding my bicycle. I like to play Frisbee with my friends. I enjoy lighting candles and I enjoy planting vegetables and flowers. I love playing the guitar and listening to music. I hate to say it but I do sit on the couch a lot and that is pretty relaxing. Sleeping is amazing. Eating good food is essential.

SR: Where do you see yourself in 10 years?

MT: On a plane with many devices on hand.

Meet the Interns: Heidi Nielson, Fiction Editor

Superstition Review

heidinielson_0Heidi Nielson is pursuing concurrent degrees in English (Creative Writing) and Journalism (Digital Journalism), as well as a minor in Music.

Superstition Review: What do you do for SR?

Heidi Nielson: As a fiction editor, I send solicitations to authors for work, as well as for interviews, read, discuss, and decide on submissions along with Riki, and conduct at least one interview with an author.

SR: How did you hear about SR?

HN: I first heard about the internship while I was interning at the Virginia G. Piper Center for Creative Writing, working with Hayden’s Ferry Review. Shortly thereafter, I volunteered at the Desert Nights, Rising Stars Writers’ Conference at ASU and was able to attend a class on literary journals that Patricia Murphy was teaching, and met with her after the class ended. During the last issue, I helped with the blog, though I wasn’t officially an intern. I’m very excited to be an intern this semester.

SR: What is your favorite section of SR and why?

HN: As a fiction writer, I tend to gravitate toward the fiction section of any journal first. I am an avid reader, as well as a writer. I feel like I learn the most about writing fiction from reading the work of more experienced and talented writers, like those in Superstition Review.

SR: Who is your dream contributor to the journal?

HN: My dream contributor would probably be Jhumpa Lahiri. Her prose is beautiful, and I admire the way that she is able to immerse her readers in Bengali culture.

SR: What job would you like to try out?

HN: Probably blogger. I really enjoy social media and had a lot of fun when I helped with the blog during the last issue.

SR: What are you most excited for?

HN: I would say that I am most excited to just read submissions. We are writing to so many amazing writers this semester to request work.

SR: What is the first book you remember falling in love with?

HN: I think the first book I fell in love with was Little Women by Louisa May Alcott. What made that book so compelling to me as a child, I think, was that their family felt so similar to my own. I come from a family of six girls, and one boy, and the personalities of myself and the three sisters closest to me in age, always seemed so similar to the four sisters in Little Women.

SR: What are you currently reading?

HN: I’m currently reading a compilation of T.C. Boyle’s short stories, entitled simply, Stories.

SR: What are your favorite websites to distract you from homework?

HN: I noticed that most people were saying Facebook, and I can’t deny that I do check it more than once a day, but I think the website that usually distracts me from homework the most is etsy.com. It’s a website of handmade or vintage items, and I can just spend hours browsing through the thousands of items. I also get distracted by my Google Reader. I subscribe to about 50 blogs, and so I’m almost constantly reading posts.

SR: Do you write? Tell us about a project you are working on.

HN: I write fiction, mainly short stories. I have been working on revisions of two stories I wrote for my fiction class last year since the last ended, and I’m on my sixth drafts of both.

Meet the Interns: Andrew Larsen, Poetry Editor

Superstition Review

andrewlarsen_0Andrew Larsen is a Junior at Arizona State University majoring in US History and English with a concentration in Creative Writing: Poetry.

Superstition Review: What do you do for SR?

Andrew Larsen: I am involved in nearly every aspect of the publication process for the Poetry section of Superstition Review. I solicit authors, read submissions, and select pieces for publication. I also am involved with interviewing poets for Superstition Review.

SR: How did you hear about or get involved with Superstition Review?

AL: I heard about this opportunity through several professors at Arizona State University.

SR: What is your favorite section of SR? Why?

AL: My favorite section of SR is probably the poetry and art section because, obviously, I find these art forms compelling.

SR: Who is your dream contributor to the journal? Talk about him/her.

AL: My dream contributor to the journal is J.D. Salinger. His candor and relevance in his short stories gave him acclaim and notoriety. For an incredible 20th century author to submit to the literary journal that I worked on would be quite an honor.

SR: What job, other than your own, would you like to try out in the journal?

AL: I’d like to try out the nonfiction section because it would be a completely new experience for me to work with nonfiction submissions.

SR: What are you most excited for in the upcoming issue?

AL: I’m excited to read the submissions of the authors.

SR: What are you currently reading?

AL: I am currently reading Henry Kissinger’s detailed history of modern international diplomacy titled Diplomacy.

SR: What are some of your favorite websites to waste time on or distract you from homework?

AL: I revert back to Daytrotter to read music reviews when I am stuck doing homework.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

AL: I would love to take a UD course on the influences of J.K. Rowling and the Harry Potter series. ENG 415: Harry Potter, a Mythology would discuss the relationship between the series and the iconography, symbolism, and literary motifs that Rowling uses to create her narrative. This all sounds less nerdy in my head.

SR: What are your feelings on digital medium?

AL: I am a contemporary Luddite. In my opinion, this notion of systematic “interconnectedness” with concepts like the internet and computer chip leave us further displaced from ourselves and each other.

Spotlight on Haley Larson, by Sarah Dillard

Superstition Review

haleylarson_0_0Intern Sarah Dillard, interviews Haley Larson about her experience as a poetry editor for Superstition Review.

Haley Larson is one of the two poetry editors that is interning with Superstition Review this semester. Her background is unique, as she received her Bachelor Degree in Psychology and with a minor in Music from the University of Nebraska. She is currently working on her second bachelor degree in English with a Creative Writing emphasis. Next fall, Haley will be headed to Graduate School to work on her Master’s in Poetry.

With the launch of Issue 3 right around the corner, interns have been busy finishing up tasks and projects. Haley was gracious enough to take time out of her busy schedule to share what her experience has been like with Superstition Review thus far.

Sarah Dillard: What led you to pursue a position with Superstition Review?

Haley Larson: I had ENG 411 with Trish, and she encouraged me to consider it. Having never done anything like this before, I wasn’t originally planning to apply–I didn’t think I’d have the time or experience necessary. It has turned out to be a highlight of my undergrad work. The hands-on experience is invaluable.

SD: What are some of your favorite poets and how do they impact you?

HL: A few poets who I obsessed over at the beginning of my poetry interests include Neruda, e.e. cummings, and Sylvia Plath. Since then, I have had some phenomenal instructors who introduced me to an endless world of great poets: Larry Levis, Mary Oliver, Paul Guest, Kay Ryan, Arthur Sze, Bob Hicok. I think most of these poets impact me by challenging me. Their work urges me to reevaluate what I think poetry is and consider the infinite possibilities of what it can be. Whether they create a form, transform an intangible idea into an image, or turn written language to a musical serenade, they all make me jealous enough to try a little harder.

SD: How would you describe your experience so far with Superstition Review?

HL: This has been an absolute whirlwind! However, I can’t think of a better learning experience for a young writer. Not only do I get to see the up-close and inner workings of the publishing world and its processes, I get to be a part of them. There is an unmatchable sense of accomplishment in having my input considered and progressing toward the launch of what is sure to be a stellar third issue. I have improvised through a few moments, but that’s the unique feature of this applied learning environment–it’s encouraged that we “do” rather than “be told.” I’ve learned to take initiative and scramble when necessary. And I will admit, I’m still the poetry equivalent of star-struck when I get to email back and forth with poets I admire.

SD: What are your responsibilities as one of the Poetry Editors of Superstition Review?

HL: My responsibilities include communicating with our solicited poets, reading and considering submissions that come in, sending acceptance and rejection emails, and a variety of other tasks that present themselves. More generally, I must meet deadlines, keep some sense of organization, and be flexible. I’m looking forward to interviewing Barbara Hamby and David Baker in the coming week. Researching their work and letting my curiosity run a bit is a great opportunity disguised as responsibility.

SD: What do you look for when deciding which poetry submissions to publish? Do you try to stay open minded throughout the process or do your own personal preferences play a role?

HL: Some key things I look for are attention to rhythm and musicality, sentient imagery, and fresh interpretations of language. The capacity to elicit emotion is an obvious element, I think. I look for the ability to experience the poem without having it forced upon me. I definitely try to stay open-minded, but I’m sure that I carry a bit of my own aesthetic into the role. In fact, I hope that my aesthetic continues to evolve throughout this internship. One of the most important things I’ve learned in this position–being part of a publication–is that it’s important to keep our readers in mind.

SD: What are your plans after this semester?

HL: I plan to attend an MFA program in poetry.

SD: What is the most useful piece of advice you would give to future Superstition Review interns?

HL: Jump in and get your hands dirty! Ask questions (I have asked a few hundred since January) but also trust yourself a little. It can be nerve-wracking jumping into a world that you’ve only read about, but everyone is so helpful and supportive.

SD: What do you hope to take away from your experience with Superstition Review?

HL: I hope to take away valuable skills suited to publishing, a more evolved aesthetic, and a sense of confidence and accomplishment. I can’t think of a better way to prepare myself for my professional pursuits in the poetry world.