Hello Lamp Post, a playful work of interactive digital art that invites people to strike up conversations with familiar street fixtures, will be installed in downtown Mesa and on Mesa Arts Center’s campus March 17 through April 16, 2018, marking the second installation of this work in the United States. The public art project by PAN Studios in London will encourage people to pause in their tracks and interact via text message with everyday street objects like lamp posts, benches, buildings, and drains. The objects will ‘wake up,’ prompting a set of carefully crafted questions about what people are doing and how they feel about where they live, work and play.
In the Mesa project, 32 objects including Mesa Arts Center itself will come to life via anonymous text messages. All that is needed to engage the objects is a basic mobile phone. As conversations grow, the objects will develop personalities and engage visitors around what they’ve heard from others. Visitors will be invited to tell the designated Hello Lamp Post objects their stories, give opinions and share observations.
Cindy Ornstein, Executive Director of Mesa Arts Center and Director of Arts & Culture for City of Mesa said of the project, “We love the way Hello Lamp Post encourages visitors to Mesa Arts Center and downtown Mesa to notice and look differently at objects in the environment. We know the installation will surprise and delight, but also hope it helps expose public dreams, and understanding about values, public spaces and community.”
An object map will be available at Mesa Arts Center’s box office and throughout downtown Mesa. Visitors are encouraged to explore and converse with as many of the objects as they like. The project map (and anonymous answers given by visitors) will also be available to view on the project website at https://mesa.hlp.city.
Mesa Arts Center is located at One East Main Street in downtown Mesa, AZ. More information can be found at MesaArtsCenter.com.
As an installation artist, I have two different practices: I create privately in the studio and work on large-scale public art commissions. Here are some thoughts about how I try to balance these two ways of working — the open-ended studio process and the structure of site and client in the public art world.
In the Studio:
I begin by “doodling” with materials. I usually don’t have a plan, but I have something in my head that interests me. Recently I’ve been looking at tall grasses with slender stems that sway in the wind. As I’m working, I try to translate thoughts and images into material form.
Often I create a modular unit and repeat it, altering it slightly each time. As the elements accumulate and the installation takes shape, I think about the mood or ambience of the piece and how people will experience the space as they walk through it. The materials I use are translucent or reflective, so they do interesting things with light and shadow.
The “Luminous Garden” series is a good example of my current indoor light installations. These glowing environments are inspired by nature but made entirely of man made materials–cast resin seedpods, LEDs, wire, and electronics. I use the magic of light to create spaces that are experiential and immersive, involving viewers as participants. Here are two images of the gardens: “Luminous Garden” 2003 and “Luminous Garden” 2009. The pieces evolved organically over time through a process of improvisation, rather than being planned in advance.
“Luminous Garden” 2003
“Luminous Garden” 2009
The Public Art Process:
When developing a public art concept, I need to consider certain “givens”: How is the idea appropriate to the client, site, time frame, and budget? Hopefully, these constraints are useful and I don’t put myself in a box. I try to satisfy the needs of the project and remember my own personal need to be playful and loose, as I am in the studio. That’s where the best work comes from. Then the challenge is to hold onto the beauty of the concept and not let it be compromised as I adapt to twists and turns in the process.
Right now, I’m working on two permanent public art commissions: “Sound Wave” at Music City Center in Nashville, Tennessee; and “Prairie Grass” at Northwest Service Center in San Antonio, Texas. Here is computer rendering of “Sound Wave,” a 120 foot long suspended sculpture made of undulating metal forms with computer-controlled blue LED lights.
It’s based on the image of a sound wave and a musical staff with notes. A sequence of lighting changes ripple through the space as people pass through.
I’m trying to bring aspects of my private practice into these public works. How to involve light and magic as I do in the “Luminous Gardens”? How to use nature as an inspiration? How can I engage viewers so they are immersed in the environment? I want these projects to be as personal and rich as my studio work.
What do I like best about public art? Learning about new places, meeting new people, and creating an artwork that becomes a part of peoples’ daily lives.
Can I combine the best of public and private worlds? Stay tuned…I’ll let you know when these pieces are installed in the spring of 2013.