Join the Virginia G. Piper Center for Creative Writing for our second-annual ASU Undergraduate Writers Showcase, Thursday, November 15, 2018 at the Piper Writers House (450 E Tyler Mall, Tempe, AZ 85281) from 7:00 to 9:00 p.m.!
While encouraged, RSVPs are purely for the purposes of monitoring attendance, gauging interest, and communicating information about parking, directions, and other aspects of the event. This event is open to the public and free.
A final line-up of readers will be announced November 1st.
Additional space will be provided for local authors and other literary organizations and groups to engage with the community. If you’re interested in participating, learn more by visiting our website at http://piper.asu.edu/events/meet-your-community.
More information about activities and programs will be announced soon.
The Virginia G. Piper Center for Creative Writing and Changing Hands proudly present a poetry reading with Carolina Ebeid on First Friday, September 7, 2018 at Changing Hands Phoenix (300 W Camelback Rd, Phoenix, AZ 85013) at 7 p.m. This event is open to the public and free.
About the Book
You Ask Me to Talk About the Interior emerges out of the ontological shock and double-bind of there being a world (rather than nothing at all), and inhabiting this world that “depends on violence.” Still, Carolina Ebeid writes, “I have wanted / to make you something // beautiful.” Drawing on influences such as Roland Barthes’s notion of the punctum (the photographic detail that pierces the viewer) to the repertoire of circles and twirls––the veronicas––bullfighters make with the red cape to attract the bull, Ebeid explores a poetics that is at once intricate and intimate. The poems in this book move by way of metaphors and poetic turns that reveal and wound; they cover territories ranging from personal confession and diagnosis to political catastrophes such as war and exile. Witnessing again to the lyric as art of ethical reckoning, each poem in You Ask Me to Talk About the Interior is an ardent fathoming of our most interior selves, each poem in Ebeid’s long-awaited first collection is a momentary “allegory for the soul.”
About the Author
Carolina Ebeid’s work appears widely in journals such as The Kenyon Review, Crazyhorse, jubilat, Colorado Review, Gulf Coast, Poetry, and others. She holds an MFA from the Michener Center for Writers, and has won awards and fellowships from the Stadler Center for Poetry, CantoMundo, The Bread Loaf Writers’ Conference, and the Academy of American Poets. She was awarded an NEA Creative Writing Fellowship in Poetry for 2015.
She is a PhD candidate in the University of Denver’s creative writing program, where she serves as Associate Editor of the Denver Quarterly. Her first book, You Ask Me To Talk About The Interior, was published by Noemi Press in 2016 as part of their Akrilica series. Poets & Writers Magazine selected You Ask Me To Talk About The Interior as one of the ten best debut collections in 2016. She is currently at work on a book project entitled Hide.
Carolina grew up in West New York, NJ, and now lives in Denver. Her fellow travelers include the poet Jeffrey Pethybridge and their son Patrick; together they edit Visible Binary.
Swing back into the literary season with a casual community get-together at our Summer Social Fundraiser, Saturday, August 25, 2018 at Changing Hands Phoenix (300 W Camelback Rd, Phoenix, AZ 85013) from 6:00 to 8:00 p.m.
While there will be a brief welcome from Piper Center Director and Arizona inaugural Poet Laureate Alberto Álvaro Ríos at 6:30 p.m., drop by any time to enjoy a beverage with fellow writers and readers, meet the Piper Center staff, and learn more about all of the exciting events we have planned for the upcoming year. Light refreshments will be provided. There will also be book giveaways, swag, and a silent auction featuring editing consultations, exclusive access to classes and visiting faculty, and more.
Please note that, while encouraged, RSVPs are purely for the purpose of attendance monitoring and gauging interest. You do not need to bring your registration or RSVP to the event. You do not need to register or RSVP to attend. This event is open to the public and free.
Poets Diana Arterian and Douglas Manuel, one of our very own Superstition Review contributors, will read from their latest works–Playing Monster :: Seiche and Testify–on Monday, April 30, 2018 at Valley Bar (130 N Central Ave, Phoenix, AZ 85004) at 6:30 pm. Please note this event is 21+.
About the Books:
Playing Monster :: Seiche was the Editrix’s Pick for the 1913 Press Prize for First Books in 2016. This is a book-length poem weaving many threads, but predominantly childhood experiences with an abusive father and, as an adult, increasingly aggressive acts made toward the speaker’s mother by strange men. Playing Monster :: Seiche is a piece of noir poetics. It is memoir. It is documentary.
A book of elegiac ambivalence, Testify’s speaker often finds himself trapped between received binaries: black and white, ghetto and suburban, atheism and Catholicism. In many ways, this work is a Bildungsroman detailing the maturation of a black man raised in the crack-laden 1980s, with hip-hop, jazz, and blues as its soundtrack. Rendered with keen attention to the economic decline of the Midwest due to the departure of the automotive industry, this book portrays the speaker wrestling with his city’s demise, family relationships, interracial love, and notions of black masculinity. Never letting anyone, including the speaker, off the hook, Testify refuses sentimentality and didacticism and dwells in a space of uncertainty, where meaning and identity are messy, complicated, and multivalent.
About the Authors:
Diana Arterian is the author of Playing Monster :: Seiche(1913 Press, 2017), the chapbooks With Lightness & Darkness and Other Brief Pieces (Essay Press, 2017), Death Centos (Ugly Duckling Presse, 2013), and co-editor of Among Margins: Critical & Lyrical Writing on Aesthetics (Ricochet, 2016). A Poetry Editor at Noemi Press, her creative work has been recognized with fellowships from the Banff Centre, Caldera, Vermont Studio Center, and Yaddo, and her poetry, essays, and translations have appeared in Asymptote, BOMB, Black Warrior Review, Boston Review, Denver Quarterly, and Los Angeles Review of Books, among others. Born and raised in Arizona, she currently resides in Los Angeles where she is a doctoral candidate in Literature & Creative Writing at the University of Southern California. She holds an MFA in poetry from CalArts, where she was a Beutner Fellow.
Douglas Manuel was born in Anderson, Indiana. He received a BA in Creative Writing from Arizona State University and a MFA from Butler University where he was the Managing Editor of Booth a Journal. He is currently a Middleton and Dornsife Fellow at the University of Southern California where he is pursuing a PhD in Literature and Creative Writing. He has been the Poetry Editor of Gold Line Press as well as was one of the Managing Editors of Ricochet Editions. His work is featured on Poetry Foundation’s website and has appeared or is forthcoming in Poetry Northwest, Los Angeles Review, Superstition Review, Rhino, North American Review, The Chattahoochee Review, New Orleans Review, Crab Creek Review, and elsewhere. His first full length collection of poems, Testify, was released by Red Hen Press in the spring of 2017.
About the Piper Center
Diana and Doug’s reading is presented as part of the Distinguished Visting Writer Series by the Virginia G. Piper Center for Creative Writing at Arizona State University, a home for writers, readers, and the literary community, offering talks, readings, classes, workshops, and other literary events and programs
Nogales, AZ has once again returned to the state’s artistic spotlight. On the weekend of Feb 13th, its Hilltop Gallery was announced as a finalist in the 2018 Governor’s Arts Awards. These awards are presented by Arizona Citizens for the Arts in partnership with the office of the Governor. They are based on the significance of the nominee’s achievements and contributions, the range of individuals and groups served by these contributions, and the degree of dedication that the nominee has to the arts. Since 1981, upwards of 200 awards have been presented to various artists and other individuals, cultural groups and organizations, and businesses.
The Hilltop Gallery is one of three finalists in the Arts in Education (Organization or School) category. These and other honorees were announced at a reception on Feb 6th, and on March 22nd in Phoenix, at the 37th annual Governor’s Arts Awards dinner and celebration, the winners will be announced.
The Hilltop Gallery, founded in 1968, is the region’s only permanent art collection. Its exhibits and education galleries focus on the variety of cultures from both the U.S and Mexico. The Gallery often collaborates on events with other local institutions and centers, such as the Consulate of Mexico. It also organizes art classes for the community, in addition to special corporate art shows for local business sponsors from June to August. One of its upcoming exhibits (March 5), is titled Faith Posey & friends- International Day of the Woman (mixed). If you are interested in becoming a Gallery Member, call 520-287-5515 for more information.
At this same March 22nd event, Alberto Alvaro Rios, also from Nogales, will be presented with the 2018 Shelley Award. This award, in honor of former Arizona Commission on the Arts Executive Shelley Cohn, is presented to an individual who, through innovative effort to create or support beneficial public policy, has advanced the arts in Arizona. Past award winners include Terry Goddard, past Phoenix mayor; Shirley Estes, builder of the Ventana Canyon Resort and community leader; and Katie Dusenberry, previous board chair of the Arizona Theater Company.
Rios is Arizona’s first poet laureate, and artistic director of the Virginia G. Piper Center for Creative Writing at Arizona State University. He received his BFA in 1974 and his MFA in creative writing in 1979, both from the University of Arizona. His many volumes of poetry include A Small Story About the Sky (Copper Canyon Press, 2015), The Dangerous Shirt (Copper Canyon Press, 2009), and The Smallest Muscle in the Human Body (Copper Canyon Press, 2002), which was nominated for the National Book Award. Some of his other works include Capirotada: A Nogales Memoir (University of New Mexico Press, 1999), The Curtain of Trees: Stories (University of New Mexico Press, 1999), and The Iguana Killer: Twelve Stories of the Heart (Blue Moon and Conference Press, 1984), which won the Western States Book Award. His work has made appearances in more than ninety major national and international literary anthologies, like the Norton Anthology of Modern Poetry.
Rios also contributed to Issue 6 of Superstition Review where several of his poems and an interview are available to read.
Author, essayist, and actress Elena Passarello reads from her collection of essays Animals Strike Curious Poses on Friday, March 16th, 2018 on the back patio of the Piper Writers House (450 E Tyler Mall, Tempe, AZ 85281) at 7:00 p.m. An informal Q&A and book signing will follow the reading. This event is free and open to the public. RSVP here.
About the Book:
Beginning with Yuka, a 39,000-year-old mummified woolly mammoth recently found in the Siberian permafrost, each of these sixteen essays investigates a different famous animal named and immortalized by humans. Modeled loosely after a medieval bestiary, these essays traverse history, myth, science, and more, bringing each beast vibrantly to life.
Elena Passarello is an actor, writer, and recipient of a 2015 Whiting Award. Her first collection Let Me Clear My Throat (Sarabande, 2012), won the gold medal for nonfiction at the 2013 Independent Publisher Awards and was a finalist for the 2014 Oregon Book Award. Her essays on performance, pop culture, and the natural world have been published in Oxford American, Slate, Creative Nonfiction, and The Iowa Review, among other publications, as well as in the 2015 anthologies Cat is Art Spelled Wrong and After Montaigne: Contemporary Essayists Cover the Essay.
Passarello has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang’s Mrs. Bob Cratchit’s Wild Christmas Binge and David Turkel’s Wild Signs and Holler. In 2011, she became the first woman winner of the annual Stella Screaming Contest in New Orleans. She lives in Corvallis, Oregon and teaches at Oregon State University.
National bestselling author Lidia Yuknavitch presents her talk “Cli-Fi Bodies, Heart-Born Worlds” First Friday, March 2nd, 2018 in the Whiteman Hall at the Phoenix Art Museum (1625 N Central Ave, Phoenix, AZ 85004) at 7:00 p.m.
A growing number of contemporary Cli Fi novels are changing what we mean when we say dystopian fiction—Station Eleven, Borne, American War, Future Home of the Living God, and The Book of Joan are all examples where authors are asking how we might radically reinvent our relationship with the planet, each other, and ourselves. What if we loved the planet the way we claim to love our partners or children? What if being meant understanding our existence as relational to eco-systems and animals? What if that stuff we are made of, the matter of the cosmos and universe, isn’t as “out there” as we pretend; what if the stories inside of us, including our biology and physiology, our consciousness and emotions, have everything to do with what is around us? What if parallel universes or timelines—as reflected in new scientific discoveries as well as ancient indigenous forms of knowing—are informing our present tense? New directions in narrative help us ask more interesting questions about ourselves and the world—or worlds—we inhabit.
Lidia Yuknavitch is the author of the National Bestselling novels The Book of Joan and The Small Backs of Children, winner of the 2016 Oregon Book Award’s Ken Kesey Award for Fiction as well as the Reader’s Choice Award, the novel Dora: A Headcase, and three books of short stories. Her widely acclaimed memoir The Chronology of Water was a finalist for a PEN Center USA award for creative nonfiction and winner of a PNBA Award and the Oregon Book Award Reader’s Choice. She founded the workshop series Corporeal Writing in Portland Oregon, where she also teaches Women’s Studies, Film Studies, Writing, and Literature. She received her doctorate in Literature from the University of Oregon. She lives in Oregon with her husband Andy Mingo and their renaissance man son, Miles. She is a very good swimmer.
The Virginia G. Piper Center for Creative Writing is excited to announce “LEGACIES: A Conversation with Sandra Cisneros, Rita Dove, and Joy Harjo (Hosted by Natalie Diaz).” The event will take place Saturday, December 2 from 1:30pm to 3:00pm in the Great Hall, Beus Center for Law and Society, Rm. 141, Arizona State University, Downtown Phoenix (111 E Taylor St, Phoenix, AZ 85004).
Although the event itself is December 2, make sure to put this on your radar now! This is a ticketed event, and tickets will become available on Saturday, November 4, at 12pm with a limited waitlist. All tickets are free, and there will be no walk-ins for the event. You can see more details about ticketing on the Eventbrite page, and you can see more details on the event as a whole on the Piper website or the Facebook event page.
This event will be December 2, the day after the trio’s event at the Phoenix Art Museum, which is already sold out. So if you can’t make it to the Phoenix Art Museum event on Friday, December 1, the “Legacies” event is the perfect opportunity to see Joy Harjo, Rita Dove, and Sandra Cisneros in action – just make sure to get your tickets on November 4!
The Piper Center teases, “Three legends come together for the first time to discuss their paths through the American literary landscape.”
Sandra Cisneros is a poet, short story writer, novelist, and essayist whose work explores the lives of the working-class. She has received many awards, including (most recently) Chicago’s Fifth Star Award, the PEN Center USA Literary Award and the National Medal of the Arts, awarded to her by President Obama in 2016. The House on Mango Street has sold over five million copies, been translated into over twenty languages, and is required reading in elementary, high school, and universities across the nation.
Rita Dove is a former U.S. poet laureate, and she received her MFA in 1977 from the University of Iowa’s Writers Workshop, where she and her classmates Sandra Cisneros and Joy Harjo were the only non-white students at the time. From 1981 to 1989 she taught creative writing at Arizona State University – the final two years as the first and only African-American full professor in ASU’s English Department. Thomas and Beulah, a book she wrote while teaching at ASU, received the 1987 Pulitzer Prize in poetry. She was also the sole editor of The Penguin Anthology of Twentieth-Century American Poetry (2011). Her most recent book, Collected Poems 1974-2004, received the 2017 NAACP Image Award and was a finalist for the 2016 National Book Award. Among her many other honors are the 2011 National Medal of Arts from President Obama, the 1996 National Humanities Medal from President Clinton (making her the only poet with both national medals), and 25 honorary degrees.
Joy Harjo’s eight books of poetry include Conflict Resolution for Holy Beings, How We Became Human: New and Selected Poems, and She Had Some Horses. Harjo’s memoir Crazy Brave won the PEN USA Literary Award for Creative Non-Fiction and the American Book Award. She is the recipient of the 2015 Wallace Stevens Award from the Academy of American Poets for proven mastery in the art of poetry, a Guggenheim Fellowship, the William Carlos Williams Award from the Poetry Society of America, and the United States Artist Fellowship. In 2014 she was inducted into the Oklahoma Hall of Fame. A renowned musician, Harjo performs with her saxophone nationally and internationally, solo and with her band, the Arrow Dynamics. She has five award-winning CDs of music, and won a Native American Music Award for Best Female Artist of the Year in 2009.
Legacies is presented by archiTEXTS and the Virginia G. Piper Center for Creative Writing with support from the Labriola National American Indian Data Center and the University of Arizona Poetry Center.
The University of Arizona Poetry Center is proud to present poets Layli Long Soldier and Timothy Yu at the Phoenix Art Museum (1625 N Central Ave, Phoenix, AZ 85004) on Friday, November 3 at 7pm. Both poets will read from their works, and then there will be a short Q&A and a book signing.
The local opener is Bojan Louis, who is a member of the Navajo Nation. His first collection of poems, Currents, published in 2017 from BkMk Press. He is also the author of a nonfiction chapbook, Troubleshooting Silence in Arizona, released by Guillotine Series in 2012. Louis is currently Poetry Editor at RED INK: An International Journal of Indigenous Literature, Arts, and Humanities.
Layli Long Soldier is Oglala Lakota; her family is from Pine Ridge, South Dakota, and northwestern Idaho. Her first chapbook of poetry, Chromosomory, released in 2009 from Q Ave Press. She received a BFA in Creative Writing from the Institute of American Indian Arts, and she is a two-time recipient of the Truman Capote Creative Writing Fellowship. She is also a recipient of the 2009 Naropa University Poetry Scholarship. She has served as editor-in-chief for “Native Language Network” and other publications for the Indigenous Language Institute in Santa Fe, New Mexico.
Timothy Yu’s debut poetry collection, 100 Chinese Silences (2016), was the Editor’s Selection in the NOS Book Contest from Les Figues Press. He is also the author of three chapbooks: 15 Chinese Silences (Tinfish); Journey to the West (Barrow Street), winner of the Vincent Chin Memorial Chapbook Prize from Kundiman; and, with Kristy Odelius, Kiss the Stranger (Corollary). He is also the author of Race and the Avant-Garde: Experimental and Asian American Literature since 1965 (Stanford) and the editor of Nests and Strangers: On Asian American Women Poets (Kelsey Street).
For this event, the Poetry Center is proud to partner with the Phoenix Art Museum with support from the Virginia G. Piper Center for Creative Writing as a lead sponsor, as well as additional support from the ASU Creative Writing Program, the Maxine and Jonathan Marshall Chair in Modern and Contemporary Poetry, the Literary & Prologue Society, and Superstition Review.