Meet the Interns: Elizabeth Anderson, Nonfiction Editor

elizabethanderson_0_1Elizabeth Anderson, one of our Nonfiction Editors, is a senior majoring in Creative Writing and working on a minor in Art History.

Superstition Review: What do you do for SR?

Elizabeth Anderson: I find nonfiction literary writers across the country and solicit them for work for SR. I also choose a few nonfiction writers that speak to me and solicit interviews.

SR: How did you hear about or get involved with Superstition Review?

EA: I first got involved with SR after taking a poetry class with Trish. Last year, I was the Solicitations Coordinator, where I kept track of the editor’s e-mails, created spreadsheets, created documents of responses, and added names to the Solicitations List.

SR: What is your favorite section of SR?

EA: My favorite section is the Art section because of Karen Green’s work, which I find not only unique, but also very inspirational.

SR: Who is your dream contributor to the journal?

EA: Currently, my dream contributor would be Mary Cappello (whom I sent a solicitation e-mail out to!), because I absolutely loved the idea behind her narrative, “Awkward: A Detour.” She not only covers touchy familial subjects, but she has a fluid way of talking about normal, everyday life.

SR: What job, other than your own, would you like to try out in the journal?

EA: I would love to be one of the Art Editors because it is so outside of my realm of the written arts. The visual arts can excite so many emotions without saying anything, and I would love to learn how to capture these emotions.

SR: What are you most excited for in the upcoming issue?

EA: I am so excited just to hear back from the nonfiction writers that I solicited. I think that their feedback will be the biggest pay off for all of my hard work thus far.

SR: What are you currently reading?

EA: I am currently reading My Friend Leonard, by James Frey. No matter what the media says about him, Frey will always hold a special place on my bookshelf.

SR: What are some of your favorite websites to waste time on or distract you from homework?

EA: To distract me from homework, I love to read Democratic Underground, The Onion, and of course, playing Waka-Waka on Facebook.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

EA: My dream class at ASU would be a poetry class that not only focuses on forms (I am currently in ENG 490 Forms class), but also incorporates actual student readings of the poetry outside of class. The title would be ENG 490.5 “Forms and Presentation.”

SR: What are some of your favorite literary links?

EA: My favorite literary links are poets.org, azpoetry.org, zeroland.

Meet the Interns: Derrick Laux, Administrative Team Manager

derricklaux_0Derrick Laux is a student of the College of Liberal Arts and Sciences majoring in English Literature. He is Superstition Review’s Administrative Team Manager, head of the Administrative Team. This semester he is a senior.

Superstition Review: What do you do for SR?

Derrick Laux: I manage four interns in areas of administrative duties including advertising, reading series, funding & development, and contests. My job is to create workflows, manage deadlines and be available to answer any questions and assist with the workload in each of these four areas.

SR: How did you hear about or get involved with Superstition Review?

DL: I contacted Trish Murphy, our Editor-in-Chief, with questions about a couple of specific fall and summer courses and told her that I was looking for an opportunity, like an internship, that would help prepare me with some marketable skills and resume building attributes. She said she needed some help managing the workload for Superstition Review and it seemed like a perfect fit at the perfect time. I was afraid that my schedule would not allow me the freedom to partake in an internship that required a lot of physical presence on campus, so when she informed me that the majority of the work was done online, I saw something that could potentially work.

SR: What is your favorite section of SR?

DL: Personally, I like the interviews. I love knowing background information about authors and artists and the opportunity to get to know them on a personal level. Their writing affects and influences so many people that I just think it’s really neat to humanize them for a brief instant and see what makes them tick, what they do in their everyday lives, and what inspires them.

SR: Who is your dream contributor to the journal?

DL: Most of the time, I don’t feel qualified enough to answer a question like this or make any kind of literary assessments due to the limited nature of my reading. In comparison to others, I feel like I’m very under-read, but if I could pick anyone right now, it would be a writer from the American Southwest, namely Leslie Marmon Silko. I’ve not read a lot of her work, but I’m absolutely infatuated with Ceremony and the spiritual healing that characterizes that book. It’s beautiful. Anyone that can write something like that, I’d like to see more of their work, especially something exclusive to Superstition Review. I’m falling in love with the Southwest and really feel like it’s neat if we can publish local authors representative of the region that we represent as a literary magazine. Rudolfo Anaya, Barbara Kingsolver, and other contemporary Southwestern writers would be my ideal contributors.

SR: What job, other than your own, would you like to try out in the journal?

DL: I think I’d love to be either the Web Design Editor or the Interview Coordinator. I’m infatuated with logos, graphics, and the overall visual appearance of things. I feel like you only get one chance to make a first impression, and the design of a page usually either clicks the interest switch on or off in a person’s head. Great design is an attention grabber and sets an immediate successful tone while poor design shuts people off in an instant. Their minds are already tainted with bad thoughts if the design isn’t up-to-par. I think being the interview coordinator might be just as fun and rewarding because as I stated before, I love getting to know people on a personal level to see what makes them tick and inspires them to write the things that influence and move our everyday lives.

SR: What are you most excited for in the upcoming issue?

DL: The new design of the webpage and the reading series. I feel like there’s so much potential for both to help establish Superstition Review’s name and get the word out about our publication. Never before have I had the access to deal with such established and talented writers. The chance to meet some of them and even host them at one of our readings is a big goal of mine that really excites me.

SR: What are you currently reading?

DL: I’m currently reading whatever is assigned for my classes. Luckily, the books have been interesting. Recently, I just finished Breakfast at Tiffany’s by Truman Capote and Double Indemnity by James M. Cain. I thought Breakfast at Tiffany’s was a great book, far better than the film.

SR: What are some of your favorite websites to waste time on or distract you from homework?

DL: Nfl.com and as of late, Craigslist. I’m trying to get set-up in my new place and Craigslist is a life-saver. There’s a lot of good stuff on there whether you’re poor or not.

SR: What would be your dream class to take at ASU? What would the title be and what would it cover?

DL: It would be a class called either “NFL Football” or “American Microbrews.” Beer has become such a hobby of mine and I love spending my free time finding out more about new beers and breweries. It’s the new wine tasting in this country because there are so many good microbreweries out there. Football is self-explanatory. If you don’t like football, there’s something wrong with you; I don’t care how nice you are.

SR: What are your feelings on digital medium?

DL: I like the easy access that technology provides, but it really does leave me feeling jaded and detached at times. I can’t argue with the convenience that new developments like Kindle provide, but most times I see someone using a device like that and think, “Man, I really miss the simplicity of a paperback book.” There’s a lot of quality stuff to be said in blogs out there, but I just don’t like the feeling of sitting behind a screen all day long. It does things to people and its very dehumanizing, especially when I catch myself being mesmerized by the computer.

This Past Week: Call for Contributors Begins

This week has been a little crazy for the interns at Superstition Review–the semester’s just taking off and things have been getting busy!

The prose and poetry editors have completed their solicitation lists this week and are preparing to email writers we’re all hoping will contribute to the fourth issue of SR. They’ve also been working on a list of writers they’d like to interview for the journal. This is an exciting time for these editors because right now they’re working with infinite possibilities on who to ask for contributions, and who to interview–it’s not until next week, when they send out emails to their lists of people, that the anxiety sets in while they wait for replies.

The art editors are working along those same lines. They’re reviewing artists’ works, looking at suggestions and their lists of solicitations, and trying to figure out whom they would like to approach for a contribution.

These editing teams, the prose, poetry, and art, have also alerted the Content Team of their full lists of solicitations and interview-hopefuls in order to let these interns keep tabs on what’s going in and out at the journal. The Content Team must keep track of what will be featured and what’s making the editing cut, so it’s equally important they get the foundational work done now.

The Web Design team is continuing to discuss how to improve the site for increased ease of navigation and aesthetic appeal. The interns in this group are working on getting photos of all the interns up, new site design, and, of course, keeping you up to date on what’s going on via the blog, our Twitter account, and our Facebook fan page.

Our administrative interns are busy with all things media this week: they’ve been planning the upcoming Reading Series, coming up with a contest for the journal, researching advertising opportunities, and, perhaps the most exciting for our readers, working on a Kindle-based version of SR.

Trish, our Editor-in-Chief has been attending meetings with the individual teams, keeping us updated with podcasts, and making sure things run smoothly, all while handling her normal full teaching load at ASU Polytechnic this semester.

That about wraps it up for this week. Next week, with solicitations leaving the desks of the interns, it’ll be a high-anxiety, nervous, and, frankly, exhilarating time as we keep our fingers crossed to see who decides they’d like to submit to SR.

Meet the Interns: Kat Corliss, Blogger

With the semester picking up speed and things really starting to get done on the journal, we’ve come to realize that it’s also about that time that we ought to start introducing the interns working on Superstition Review this semester. We strive to be in touch with our reading audience and that includes letting you get to know our entire student staff. We feel it gives you perspective as the reader, especially when getting to know the personalities of our editors as they change each term with new faces every semester.

I suppose I should go first, though, since I’ll be the one writing the updates here for the next three-and-change months, and then introduce our team members as I interview them.

My name is Kat Corliss, and I’m serving on the Web Design team. I’m the Blogger. I’m a student of the College of Liberal Arts & Sciences, majoring in English: Creative Writing: Fiction, with a focus on Young Adult Literature. I am a Senior this semester and will be graduating December 2009.

Superstition Review: What do you do for SR?

Kat Corliss: I’m the Blogger for SR, which means I write tri-weekly posts about what’s going on with the production magazine in our blog. I’ve also kind of become the Social Networker, in a sense. I maintain our Facebook fan page and update our Twitter account. I make sure the public knows what’s going on internally with the journal, I announce calls for submission and deadlines, and I communicate local events pertaining to the literary and art world.

SR: How did you hear about or get involved with Superstition Review?

KC: I was introduced to our Editor-in-Chief, Trish, by a classmate of mine at the 2009 Desert Nights, Rising Stars Writers Conference at ASU Main. Trish had just talked on a panel about SR and it sounded really exciting and something fun to pursue so I submitted my application later that week.

SR: What is your favorite section of SR?

KC: Probably the art section because I’m a really visual person. I like being exposed to new artists all the time. Plus, the online delivery of our journal really allows for higher quality images to be published than a print magazine would.

SR: Who is your dream contributor to the journal?

KC: In writing, it’d be Manuel Munoz, a (now) local writer. He is absolutely amazing. I just read his Faith Healer of Olive Avenue this summer and it was breathtakingly well written, smart, and painful. For artists, I’d have to say Chris McVeigh. He’s just plain fun. His photography often involves LEGOs or Star Wars action figures and it’s just that little connection between passion for creating art and embracing childhood whimsy that I adore.

SR: What job, other than your own, would you like to try out in the journal?

KC: Definitely fiction editor. It’s what I’ve been doing in school for the last few years, it’s what I want to do with my life–edit young adult fiction–so that’d be fun to work on. I’m glad to have been given the opportunity to see the publicity side of journal editing, though, and I’m excited to work on the social networking aspect because it’s new and flexible, a lot of it experimental. I’m never bored with what I get to do for the journal.

SR: What are you most excited for in the upcoming issue?

KC: The changes we’re looking at in formatting. We’re updating our look a bit. We’re hoping it will be ready in time for launch so the Web Design Team has already been in a couple meetings discussing what we’d like to change and what’s working great for us.

SR: What are you currently reading?

KC: Loads of YA lit for a class and an independent study project I’m working on. I just finished a Goosebumps graphic novel–did you know they’ve started republishing the classic scary stories into visual format? How cool is that? I’m also in the middle of The Time Traveler’s Wife, something I picked up over a year ago and haven’t managed to sit down and finish. A stack of graphic novels and comic books. I’m about to start Neil Gaiman’s Anansi Boys.

SR: Do you write? Tell us about a project you’re working on.

KC: Yes, I do. One of my current projects is writing a full young adult novel under the supervision of Dr. Blasingame at ASU Main in an independent study. It’s a story that follows a 17-year-old girl on a trip halfway across the US in her search to find out more about her mother who committed suicide when the girl was a toddler. She ends up reconnecting with a family she didn’t really ever get to know since her father moved her away when her parents had gotten divorced and, in the process, learns a lot about what her mother was like and why she killed herself, and how she’s actually more like her mother than she thinks.

SR: What are some of your favorite websites to waste time on or distract you from homework?

KC: Oh, definitely Facebook. I love Twitter, too, especially since my favorite part of Facebook are the status updates my friends make, and that’s all it really is in my opinion. I also spend a lot of time on LiveJournal, especially in the Literary Tattoos, Trashy Eats, and Thrift Horror communities.

SR: What are some of your favorite literary links?

KC: I definitely follow Neil Gaiman on Twitter, read his blog, and sometimes even listen to his library on LastFM because it’s just plain interesting; he’s one of the authors who has jumped into every aspect of online life and is always just keystrokes away from connecting with fans, and that’s just cool in general, beside the fact that he’s a brilliant writer. I also read Fiction Circus blog posts, one of my favorite literary bloggers/literary magazines. I also enjoy the Australian site, Inside A Dog, created to promote reading to youth by the Centre for Youth Literature.

 

More intern interviews coming soon!

Governor’s Arts Awards

Intern Veronica Martinez comments on Superstition Review‘s nomination for a Governor’s Arts Award.

On Tuesday April 14th the arts and cultural community will gather for the 2009 Governor’s Arts Awards. The Governor’s Arts Awards are presented annually by the Office of the Governor, the Arizona Commission on the Arts, and Arizona Citizens for the Arts. This year we are excited that Superstition Review has been nominated in the Arts in Education Category; this category recognizes an Arizona individual or organization for an outstanding contribution to arts in education.

As a current intern with Superstition Review, I am very glad to be a part of such a project that not only provides a great opportunity to ASU students but also helps to engage and build the literary community in Arizona.

Amber Mosure, also a current intern, had this to mention about SR: “I really like all the hands-on experience I’m getting with my internship with Superstition Review. I feel very confident that I’m gaining very pertinent inside knowledge about what goes into putting together a literary publication and being involved in creating the final product is very rewarding and satisfying.”

So join us in congratulating Superstition Review on this nomination with special thanks to, Patricia Murphy, Managing Editor, for taking on this endeavor and together with ASU students producing a wonderful literary publication that we all can feel rewarded with. We will be rooting for SR!

For more information about the 2009 Governor’s Arts Awards click here.

Spotlight on Haley Larson, by Sarah Dillard

haleylarson_0_0Intern Sarah Dillard, interviews Haley Larson about her experience as a poetry editor for Superstition Review.

Haley Larson is one of the two poetry editors that is interning with Superstition Review this semester. Her background is unique, as she received her Bachelor Degree in Psychology and with a minor in Music from the University of Nebraska. She is currently working on her second bachelor degree in English with a Creative Writing emphasis. Next fall, Haley will be headed to Graduate School to work on her Master’s in Poetry.

With the launch of Issue 3 right around the corner, interns have been busy finishing up tasks and projects. Haley was gracious enough to take time out of her busy schedule to share what her experience has been like with Superstition Review thus far.

Sarah Dillard: What led you to pursue a position with Superstition Review?

Haley Larson: I had ENG 411 with Trish, and she encouraged me to consider it. Having never done anything like this before, I wasn’t originally planning to apply–I didn’t think I’d have the time or experience necessary. It has turned out to be a highlight of my undergrad work. The hands-on experience is invaluable.

SD: What are some of your favorite poets and how do they impact you?

HL: A few poets who I obsessed over at the beginning of my poetry interests include Neruda, e.e. cummings, and Sylvia Plath. Since then, I have had some phenomenal instructors who introduced me to an endless world of great poets: Larry Levis, Mary Oliver, Paul Guest, Kay Ryan, Arthur Sze, Bob Hicok. I think most of these poets impact me by challenging me. Their work urges me to reevaluate what I think poetry is and consider the infinite possibilities of what it can be. Whether they create a form, transform an intangible idea into an image, or turn written language to a musical serenade, they all make me jealous enough to try a little harder.

SD: How would you describe your experience so far with Superstition Review?

HL: This has been an absolute whirlwind! However, I can’t think of a better learning experience for a young writer. Not only do I get to see the up-close and inner workings of the publishing world and its processes, I get to be a part of them. There is an unmatchable sense of accomplishment in having my input considered and progressing toward the launch of what is sure to be a stellar third issue. I have improvised through a few moments, but that’s the unique feature of this applied learning environment–it’s encouraged that we “do” rather than “be told.” I’ve learned to take initiative and scramble when necessary. And I will admit, I’m still the poetry equivalent of star-struck when I get to email back and forth with poets I admire.

SD: What are your responsibilities as one of the Poetry Editors of Superstition Review?

HL: My responsibilities include communicating with our solicited poets, reading and considering submissions that come in, sending acceptance and rejection emails, and a variety of other tasks that present themselves. More generally, I must meet deadlines, keep some sense of organization, and be flexible. I’m looking forward to interviewing Barbara Hamby and David Baker in the coming week. Researching their work and letting my curiosity run a bit is a great opportunity disguised as responsibility.

SD: What do you look for when deciding which poetry submissions to publish? Do you try to stay open minded throughout the process or do your own personal preferences play a role?

HL: Some key things I look for are attention to rhythm and musicality, sentient imagery, and fresh interpretations of language. The capacity to elicit emotion is an obvious element, I think. I look for the ability to experience the poem without having it forced upon me. I definitely try to stay open-minded, but I’m sure that I carry a bit of my own aesthetic into the role. In fact, I hope that my aesthetic continues to evolve throughout this internship. One of the most important things I’ve learned in this position–being part of a publication–is that it’s important to keep our readers in mind.

SD: What are your plans after this semester?

HL: I plan to attend an MFA program in poetry.

SD: What is the most useful piece of advice you would give to future Superstition Review interns?

HL: Jump in and get your hands dirty! Ask questions (I have asked a few hundred since January) but also trust yourself a little. It can be nerve-wracking jumping into a world that you’ve only read about, but everyone is so helpful and supportive.

SD: What do you hope to take away from your experience with Superstition Review?

HL: I hope to take away valuable skills suited to publishing, a more evolved aesthetic, and a sense of confidence and accomplishment. I can’t think of a better way to prepare myself for my professional pursuits in the poetry world.

Superstition Review Interviews T.C. Boyle

T.C. Boyle with Sara and Rebekah
Rebekah and Sara with T.C. Boyle

On February 25th, Changing Hands Bookstore hosted T.C. Boyle for a reading and questions on his most recent novel, The Women. Fiction Editor Rebekah Richgels and former Fiction Editor Sara Scoville spent about an hour interviewing the author before the event. Rebekah comments on the experience.

The idea of chatting with T. C. Boyle about his work seemed nerve-wracking at first because he’s a well-known author who has published 20 books. He arrived and we made our introductions, then Trish set up the camera and we dove right in. Sara and I had created banks of questions to choose from, but as we talked we became more comfortable and found ourselves going “off script.” Mr. Boyle entertained us with anecdotes but also respectfully considered our more serious questions. Changing Hands was the last stop on his nationwide book tour, but he answered our questions as though he was hearing them for the first time.

As we probed into the details of his literary career–his various styles, how he gets to know his characters, how he comes up with ideas–it became obvious that we were speaking with a natural talent. This is a man who finds a subject that interests him and spends months gathering and gleaning information so that when he finally sits down to write about it he sounds as knowledgeable as someone who has devoted their life to this one topic. He writes seven days a week, probably without fail, not because he has to make himself move forward with a piece, but because he has made writing so natural that it is almost like eating.

Though he is promoting his 20th book, Boyle has already submitted his 21st–a collection of stories including “Wild Child,” mentioned in his novel Talk Talk–and is more than halfway through his 22nd, another novel. He has an ability to write so that subjects are engaging and fresh, so that his characters are real, and so that each story draws you in. He writes with an ease that makes all authors jealous and makes publishers celebrate. Interviewing him was a priceless experience, and one that I am so excited to be able to share with all our readers. The podcast interview will be available on April 20th, the launch date of Issue 3 of Superstition Review.

T.C. Boyle
T.C. Boyle

Intern Highlights: Alex Linden

superstision 1Superstition Review is unique as an online literary and arts journal, being primarily produced by student interns from Arizona State University. There are two of each genre editor–one of which, Poetry Editor,

Alex Linden was kind and generous enough to provide us with a little time and insight into what she does for SR and what she likes to do. Look forward to more information about your editors in upcoming blogs, newsletters, and the website.

Superstition Review: What inspired you to start working with SR?

Alex Linden: I thought it would be a really great experience. I had Managing Editor Patricia Murphy for a couple of online classes and she mentioned that she was starting an online literary journal with student editors. It sounded innovative and fun.

SR: What do you enjoy most about SR?

AL: I just really love reading poetry. Comparing my opinions with fellow editors is interesting. People tend to point out things I might not notice about a particular piece.

SR: What kinds of things do you have to do as a Poetry Editor?

AL: First of all, solicit authors who we would like to see published. It was really exciting to be able to send emails to writers I respect deeply, and have some of them respond with submissions. Then, of course, read all of the submissions that come in and decide which to choose. We also did online interviews—which were great because due to the online format we had time to craft some really thoughtful and precise questions.

SR: What are your own personal tastes and preferences in poetry, and how do they affect what you select, both positively and negatively?

AL: Like most people, I like poetry that makes me feel something. Even a poem that annoys me or baffles me is better than one that is boring. I tend to like poetry that is more on the confessional side, and poetry that is a little shocking. Sharon Olds is my favorite poet.

I would try to not let this affect what poems I select because I think it is important to think outside of the box. At the same time, being completely objective isn’t possible. This is why it is important to have two poetry editors—we try to balance each other out. There were poems I would never select at first, but when encouraged to take a second look at, I definitely appreciated more.

SR: What are your plans for next semester?

AL: To graduate college! And hopefully get into graduate school.

SR: What do you do and enjoy most outside of SR?

AL: I love music, to go to concerts. I read a lot and write whenever possible.

SR: What do you feel you’ve learned from this internship?

AL: The whole process of how an online journal works. It takes a lot of patience and persistence. I am really impressed by everyone—especially those who started the magazine.

SR: What would you say about your own personality is your best working asset?

AL: I don’t procrastinate! Usually 🙂

Thanks so much to Alex Linden and all of our editors for your time and dedication to issue 2! You know I am looking forward to the release! I have faith that you have all done an amazing job. If you would like to be featured in a blog for Superstition Review, please comment and I’ll get in touch with you!

SUBMISSIONS PERIOD ENDS and Poly Harvest CSA.

To all writers and artists who have contributed work this season for submission in Superstition Review, we interns are very grateful and appreciate your hard work just as much as you appreciate ours. If you’ve been solicited and responded to our submissions crew, or have already sent in your work via e-mail, take a load off your shoulders and sit back. Halloween has come and gone, and there’s plenty of left-over candy to relax with.

While the fall season is finally, truly and undeniably setting in with the holidays, the time to think of harvests and bounty has arrived. Among the harvests most significant to those of us here at Superstition Review is the PolyHarvest CSA. If you’ve been to any of our readings or are planning to go to the next one, you should know that the wonderful catering we have done with fresh fruits and veggies is courtesy of the PolyHarvest CSA.

What is the PolyHarvest CSA? A CSA is a Community Supported Agriculture program. In a CSA, community members buy “shares” of produce through a contract. They pay up front for these shares, and as a result, farmers benefit by receiving steady upfront payment in order to support themselves, and the community benefits by receiving fresh fruits and vegetables, and by learning more about where produce comes from.

In the PolyHarvest CSA, produce shipments come in every Thursday. The PolyHarvest CSA is affiliated with Arizona State University’s Polytechnic Campus. This program is especially relevant to Polytechnic campus because of Polytechnic’s theme of “healthy living” and ASU president Michael Crow’s focus on community involvement.

Superstition Review got involved with the PolyHarvest CSA when our supervisor, Patricia Colleen Murphy, contacted PolyHarvest CSA’s coordinator to see if catering was available. Forming alliances in the community is important out here–PolyHarvest CSA also donates to the House of Refuge in Phoenix, which is a shelter and support system for homeless and other disadvantaged people.

PolyHarvest CSA recently has had kale, arugula, bokchoi and other greens in season. Additionally, they’ve had potatoes, tubers, squash, melons, pumpkins, tomatoes, green onions, and more available. Their next season begins very soon, so visit the website and contact their coordinator, Chris Wharton, for more information or to get a contract and get involved. Donations are also welcome!